Showing posts with label Rock. Show all posts
Showing posts with label Rock. Show all posts

Monday, June 10, 2024

Ronnie Wood - 'Anthology: The Essential Crossexion'

 

Ronnie Wood 'Anthology: The Essential Crossexion' is a 2CD compilation of Ronnie Wood from 2006.  It includes solo work and music from Wood's bands The Birds, The Creation, Jeff Beck Group, The Faces and The Rolling Stones.

To Me, Ronnie is the consummate Rock & Roll sideman. He's the ultimate reliable team player, whose versatility has allowed him to carve out a career spanning over 50 years.  There’s no one who has played Wood’s position with as much skill, suave, and swagger as he has, yet, the guitarist has no problem pumping out licks in the background.  He also boasts numerous solo ventures, in particular, the aptly titled 'I’ve Got My Own Album To Do', which featured legendary musicians such as George Harrison, Ian McLagan, and Stones bandmate Keith Richards, proving that Wood could be front-and-center whenever he wanted.  Instead, he remains among the best sidemen in rock history – and that’s quite an honor to have.


CD1 - (Ronnie Solo)

  1. I Can Feel the Fire
  2. Cancel Everything
  3. Far East Man - Ronnie Wood
  4. Big Bayou
  5. If You Don't Want My Love
  6. 1234
  7. Fountain of Love
  8. Seven Days
  9. Always Wanted More
  10. Breathe on Me
  11. Somebody Else Might
  12. Josephine
  13. Testify
  14. Whadd'ya Think
  15. This Little Heart
  16. Little Mixed Up
  17. You Strum and I'll Sing
 
CD2 (With Groups)
  1. You're on My Mind - The BirdsYou Don't Love Me - The Birds
  2. No Good Without You Baby - The Birds
  3. How Can It Be - The Birds
  4. Midway Down - The Creation
  5. Girls Are Naked - The Creation
  6. I Ain't Superstitious - Jeff Beck Group
  7. All Shook Up - Jeff Beck Group
  8. Plynth (Water Down the Drain) - Jeff Beck Group
  9. Jailhouse Rock - Jeff Beck Group
  10. Flying - Faces
  11. Gasoline Alley - Rod Stewart
  12. Miss Judy's Farm - Faces
  13. Too Bad - Faces
  14. Maggie May - Rod Stewart
  15. Stay with Me - Faces
  16. Every Picture Tells a Story - Rod Stewart
  17. Ooh La La - Faces
  18. Everything Is Turning to Gold - The Rolling Stones
  19. Black Limousine - The Rolling Stones
For the freeload, tell us who your favorite Rock sideman is.




Friday, June 7, 2024

Mickboy's Rolling Stones "Remasters"

 


"Mickboy" is a legend in the world of bootlegging.  His "remasters" have a warm and analog-like sound to them, with great separation that jumps from the speakers.  They sound nothing like the original.


'Get Your Kicks On This Vols. 2-3' is
Rolling Stones 'No. 2'  and  'Out Of Our Heads' in excellent mono on 2 CDs.


'Only When It's Frozen' is Aftermath-era Stones, with exceptional audio on 2CDs.


'Mentholated Sandwich: Beggars Banquet Rekindled' is 'Beggars Banquet' plus outtakes and extras, with exceptional audio.



'Get What You Need' is 'Let It Bleed'
plus outtakes and extras, with exceptional audio.


'Tastes Sooo Good' is (you guessed it) 'Sticky Fingers'
plus outtakes and extras, with exceptional audio.



'Main Street Revisited' is 'Exile' with
outtakes and extras, with excellent audio.


'Dancing So Free: Goats Head Soup Reheated' outtakes and extras, with extraordinary audio


'Short And Curlies: It's Only Rock'n'Roll By The Balls' is a 2CD set of
outtakes and extras, with extraordinary audio.


'From Rags To Excess...B&B2' is 2CDs of 'Black and Blue'
outtakes and extras, with excellent audio.

If you're a Stones fan, get these while they're hot!

For the freeload, post one verse
or chorus of your favorite Stones' song.

Sunday, June 2, 2024

Bruce Springsteen - 'The Ties That Bind: The River Collection'



 Back in 1979, Bruce Springsteen was all set to release the follow-up to the previous year’s 'Darkness on the Edge of Town'.  After legal problems made the wait between that album and its predecessor, the breakthrough 'Born to Run', a long three years and an eternity in the ’70s, Bruce was more than ready to get back into the studio.

Bruce had written and recorded hundreds of songs for 'Darkness' and its follow-up, which was going to be called 'The Ties That Bind'.  The single-record project, like the album before it, took on a somber tone, as Bruce, approaching his 30s, explored grown-up themes like marriage and responsibility.  But something happened on the way to the album’s release. Springsteen pulled the record and decided to revisit the project with more upbeat songs, and ended up with the double-LP epic 'The River' in 1980 instead.

'The Ties That Bind: The River Collection' is a box set of 52 songs from the sessions on four CDs, and tells the story of how one of music’s most determined artists scrapped a great album and replaced it with an even better one.  Lengthening the 10-song The Ties That Bind made the double-LP 'The River' a more expansive record, and not just in physical size.  By broadening his scope, Springsteen guaranteed 'The River' wouldn’t be just Darkness on the Edge of Town Part II.

The original Ties That Bind is collected here in its entirety and made up of some songs that ended up on The River, some that didn’t and some that did in different versions, scales back the breadth of the two-record edition, tightening some of the loose ends and in some ways laying a more solid foundation for the songs.  But The River works better as narrative and as the next step in Springsteen’s evolution as one of rock’s most masterful songwriters.

For further proof as to just how prolific and consistent he was during this period, check out the 22 outtakes from the album’s sessions.  Several ended up as B-sides, bonus tracks and songs on 1998’s odds-and-ends box set 'Tracks', but they take on new perspective in this light, not only revealing that Springsteen had enough material for a four-LP set but also how differently The River might have sounded with some alterations.

Like 2010s The Promise, which gathered a ton of 'Darkness on the Edge of Town' leftovers, 'The Ties That Bind: The River Collection' is more rewarding if you’re familiar with the original material.  Songs like "Meet Me in the City," "Roulette," "Where the Bands Are," "Living on the Edge of the World" and "Held Up Without a Gun" are great songs that fit into The River‘s concept, but what would they replace? It’s tough to say.

In the end, 'The River' was the album Springsteen needed to make at that time. 

 For the freeload, tell us about the worst Boss you ever worked for.

Wednesday, May 8, 2024

The Good Ol’ Grateful Dead - Barton Hall Concert May 8, 1977



It was 47 years today, Sergeant Pepper taught the Grateful Dead played Barton Hall, at Cornell University, in Ithaca, NY.  Barton Hall is basically a sports facility with horrible acoustics for American children of privilege who can't get into Yale.

Barton Hall

If you ask Deadheads to name their all-time favorite Grateful Dead show, a resounding answer would likely be May 8, 1977, at Barton Hall. Of course, choosing a favorite Grateful Dead concert is remarkably subjective, ultimately swayed by personal experience more than any other factor. Yet, for many, May 8, 1977, stands alone.

By the middle of Spring in 1977, the Grateful Dead were in true peak form.  Their lineup was settled, and their catalog was packed with so many glorious songs. Semantically, what separates this show from similarly strong performances on adjacent days was its distribution.  A soundboard recording from Betty Cantor-Jackson made its way onto a tape, and magically wound up in the hands of Grateful Dead fans nationwide, in the form of a cassette tape.  Mine was on two Maxell UDXL-II cassettes with 5/8/77, written on the tag in red ink.  Because of the widespread access to these high-quality recordings, the show became a well-known go-to show among Deadheads in the know.

Fun Fact: I have an uncle (by marriage) whose name is Barton Hall.  He married my aunt Madeline, and they lived happily ever after in Québec City, Canada.


First Set

  1. New Minglewood Blues
  2. Loser
  3. El Paso
  4. They Love Each Other
  5. Jack Straw,
  6. Deal
  7. Lazy Lightning
  8. Supplication
  9. Brown Eyed Women
  10. Mama Tried
  11. Row Jimmy
  12. Dancing In The Streets

Second Set

  1. Scarlet Begonias
  2. Fire On The Mountain
  3. Estimated Prophet
  4. St. Stephen
  5. Not Fade Away
  6. St. Stephen
  7. Morning Dew

Encore: One More Saturday Night

For the freeload (trust me, it sounds better than the one you have), tell us about images you came across on "blotter paper".

Monday, April 22, 2024

The Good Ol’ Grateful Dead - 'Pacific Northwest 73-74: The Complete Recordings'

 




Here's a little Grateful Dead, and by little, I mean 19 CDs

This is 6 complete shows.




CDs 1 through 4 are from the P.N.E. Coliseum, Vancouver, B.C., on June 22, 1973.








CDs 5 through 7 are from Portland Memorial Coliseum, Portland, OR on June 24, 1973.







CDs 8 through 10 are from Seattle Center Arena, Seattle, WA on June 26, 1973.






CDs 11 through 13 are from P.N.E Coliseum - Vancouver, B.C., Canada on May 17, 1974.








CDs 14 through 16 are from Portland Memorial Coliseum - Portland, OR on May 19, 1974.







CDs 17 through 19 are from Hec Edmundson Pavilion, University of Washington - Seattle, WA on May 21, 1974.




Original Art by First Nations Artist Roy Henry Vickers




Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. Masters transferred and restored by Plangent Processes. 

Jerry Garcia – lead guitar, vocals
Donna Jean Godchaux – vocals
Keith Godchaux – keyboards
Bill Kreutzmann – drums
Phil Lesh – bass, vocals
Bob Weir – rhythm guitar, vocals

In the interest of bandwidth, the files are
320 kbps, which due to the HDCD mastering sound just fine.
 
For the freeload, which artist or band have you seen live the most?










Saturday, April 20, 2024

The Kinks In Mono



'The Kinks In Mono' is a 10 CD box set from 2011, that was a UK only release, and now out of print.


The box itself is a recreation of a British made Dansette record player, that holds the CD digipaks and a beautiful 32-page hardcover book. The book (included in the freeload) has notes, rare photos, memorabilia, discographical information and more. This is one of the nicest box sets, I have ever seen, and I have seen quite a few.

This box includes The Kinks' first seven LPs

  • The Kinks
  • Kinda Kinks
  • Kontroversy
  • Face To Face
  • Something Else
  • Village Green Preservation Society
  • Arthur

Also included in the box is three extra CD's, the EP disc has 'Kinksize Session', 'Kinksize Hits', 'Kweyt Kinks', and 'Dedicated Kinks' while the final two discs contain various singles from around the world.


"ALL IN GLORIOUS MONO", is an understatement.  The audio remastered by Kevin Gray is ridiculously good, with clarity, presence and punch in spades.
Play it
LOUD!

For the freeload, tell us w
hat do you use to listen to music?



Monday, April 15, 2024

Tom Waits - 'Blue Valentine

 


Tom Waits is a consummate storyteller, able to fit a short story into three or four minutes, and ‘Blue Valentine’ contains some memorable tales that are vivid and can make you feel a range of emotions.  This is Tom’s patented mix of Jazz, Blues, Beat poetry, and anchored with those tales of dubious characters who don't normally get song lyrics.  He romanticizes and trivializes what Marx [no, not Groucho - Ed.] referred to as the 
Lumpenproletariat, whom are in precarious situations, that Tom is so adept at evocatively describing.


Opening the album is a cover of "Somewhere" from ‘West Side Story’, which in itself, was a brave move for Tom, it could easily have descended into parody in the hands of a lesser talent, but its hopeful/hopeless air is the perfect introduction and sets the tone for what follows on ‘Blue Valentine’.



If there's one track I would point to on the album that does so best, it would have to be ‘Christmas Card From a Hooker in Minneapolis’, which revolves around the contents of said Christmas card, and takes you on a rollercoaster ride before hitting you with an unexpected left turn.  Swaggering jazz numbers like the effortlessly cool ‘Romeo Is Bleeding’ are broken up with a few more tender moments, like the heartbreaking ‘Kentucky Avenue’ and the delicate title track.  "Wrong Side Of The Road" reads like the spirit of Macbeth's witches, have been relocated inside the pages of a pulp novel.

Tom & Rickie Lee
This album showcases Tom's exceptional ability to merge different musical styles, making it a standout work in his discography.  His gravelly voice adds a raw, emotional depth to each track, enhancing the overall impact of the album.  ‘Blue Valentine’ also marks the first appearance of the electric guitar in Tom's music, setting out the foundations for the more adventurous rock sound he would go on to pursue further on down the road.  'Blue Valentine' is so very classic Tom Waits material from start to finish.


The free load is a limited edition reissue, and part of Warner Music Japan's 40th anniversary reissue series, from 2010.   It was remastered by Isao Kikuchiuchi, and will make for a nice sonic upgrade if you already have 'Blue Valentine'.


For the freeload, post your favorite Tom Waits lyrics or quotes.

Tuesday, April 9, 2024

Bob Dylan - 'Genuine Live 66'

 


Bootleg label Scorpio put out this 8 CD set entitled 'Genuine Live 66' in 2000.  If you are into Dylan enough to start hunting down bootlegs of his material, then this set is essential.  Like the official 'Live 66' album it covers his tour of that year, unlike the official release though, it goes into far greater detail on every level.  The 1966 world tour, is arguably the peak of pre-motorcycle crash Dylan, when our anti-hero was strung out on amphetamines and desecrating acoustic folkie expectations night after night for an audience that largely hated him

This set collects together concerts from Australia, England, Ireland, Denmark and Scotland, and packages them in the box in full color paper jackets inside mini "LP" gatefold cardboard sleeves along with two detailed booklets crammed with info and great pictures, three postcards and a poster (all included in the freeload).  Far more love and attention has gone into this than many "official" releases.

Recorded from the original 3-track source tapes, quality is superb throughout, which when coupled with the stellar performances really impress.  Both electric and acoustic performances are first-rate, and you can tell Dylan is on top form throughout this tour.  One of my personal favorites are the acoustic tracks recorded at the Gaumont Theatre in Sheffield, which are real gems.  One of the great things about Bob's live performances is his passion and interest in the songs and constant effort to try and keep them fresh, whether through completely altering lyrics and jumbling things around as in a lot of his later concerts, or as he does here, by really living the words and bringing out all the little subtleties and nuances in each song.

I love the electric version of "I Don't Believe You (She Acts Like We Never Have Met)" that he was playing on this tour, especially the May 14 version from Liverpool.  You can hear him give an amusing (probably amphetamine fueled bunkum) explanation of "Just Like Tom Thumb's Blues" according to which the song is about a painter, Tom Thumb, who was from Juarez but living outside Mexico City, and, "When Tom Thumb was going through his blue period, this was one of the most important times of his whole life." Bob repeatedly performs his mumbling trick, wherein he quiets the crowd by murmuring indistinctly into the microphone, which prompts everybody to shut up, the easier to discern the word of their oracle.

CDs 1&2 - 'A Phoenix In April'

  • Recorded at Sydney Stadium, Sydney, Australia - April 13, 1966

CD3 - 'The Children's Crusade'

  • Recorded at Melbourne Festival Hall, Melbourne, Australia - April 20, 1966

CD4 - 'While The Establishment Burns'

  • Tracks 1-7: Adelphi Theatre, Dublin, Ireland - May 5, 1966
  • Track 8: (presumably) K.B. Hallen, Copenhagen, Denmark - May 1, 1966
  • Tracks 9-10: ABC Theatre, Edinburgh, Scotland - May 20, 1966

CD5 - 'A Nightly Ritual'

  • Tracks 1-10: The Odeon, Liverpool, UK, May 14, 1966
  • Tracks 11-12: A Glasgow Hotel Room, May 19, 1966

CD6 - 'The Genuine Royal Albert Hall Concerts'

  • Tracks 1-9: Gaumont Theatre, Sheffield, UK, May 16, 1966
  • Track 10: Odeon Theatre, Birmingham, UK, May 12, 1966

CD7 - 'The Genuine Royal Albert Hall Concerts'

  • Tracks 1-5: Manchester, UK, May 17, 1966 - 3 track tape
  • Tracks 6-12: Royal Albert Hall, London, May 26, 1966 

CD8 -'The Genuine Royal Albert Hall Concerts'

  • Tracks 1-7: Royal Albert Hall, London, May 27, 1966
  • Track 8: WBAI Radio, NYC - 1/19/66

 For the freeload, post one verse from your favorite Bob Dylan song

Sunday, April 7, 2024

Van Morrison - 'From Dublin Up To Sandy Row'


'From Dublin Up To Sandy Row' is a 2 CD live bootleg, that was recorded at The Point Theatre, Dublin on December 17th, 1995 for an FM broadcast. 

This is one of those bootlegs where the sound and performance are absolutely outstanding.  It actually sounds better than some of Van's official releases.  In the mid-1990s, Georgie Fame was Van's "right-hand man", and is sublime on this.

'From Dublin Up To Sandy Row' is one of my favorite Van Morrison bootlegs, it's 2 hours of perfection.


Setlist
CD1

  1. Ain't That Loving You Baby?
  2. No Religion
  3. Days Like This
  4. Raincheck
  5. That's Life
  6. Wonderful Remark
  7. Saint Dominic's Preview
  8. Listen To The Lion
  9. Slim Slow Slider
  10. Vanlose Stairway, TransEuro Train
  11. Irish Heartbeat

 
CD2
  1. Tupelo Honey, Why Must I Always Explain?
  2. Moondance
  3. Whenever God Shines His Light
  4. In The Garden / You Send Me
  5. Star Of The County Down
  6. Satisfied
  7. Melancholi
  8. I'm Not Feeling It Anymore
  9. Madame George
  10. Brown Eyed Girl
  11. Have I Told You Lately

Van Morrison on Vocals and Acoustic Guitar
Georgie Fame on Hammond Organ and Vocals
Brian Kennedy on Vocals
Robin Aspland on Piano
Alan Skidmore and Leo Green on Tenor Saxophone
Guy Barker on Trumpet
Alec Dankworth on Double Bass
Ralph Salmins on Drums

To qualify for the freeload, tell us what some of your favorite Van Morrison songs are.

Friday, April 5, 2024

Donovan – 'Breezes Of Patchouli - His Studio Recordings: 1966-1969'

 

"The long gone breezes are blowing down the sky."


In 1968 at Caltech, there was a knock on my dorm room door.  It was my friend Sandy, who told me, “We are going to have a mini be-in in the common room, get high, and listen to Donovan’s new album, the ‘The Hurdy Gurdy Man’…you in?” I nodded my head and said, “Far-out, Sandy, I’ll be there in a few.”  When I got to the common room, everyone was sitting in a circle, and I took a place in the circle.  Joints were being passed around, one of which tasted odd, and the girl who passed it to me said, “That’s DMT, take another hit, and hold it in as long as you can” which I did. Three minutes later, I was “Joan of Arc,” as the needle dropped on Donovan’s ‘The Hurdy Gurdy Man’ and his words and music conveyed the Zeitgeist of the day.

In the mid-1960s, Scottish-born Donovan Leitch was viewed as both the epitome of hippiedom and unfairly as the UK’s answer to Bob Dylan.  Such perceptions (further enhanced by album titles such as Breezes of Patchouli) have followed him, often unkindly, ever since.  However, there was far more to Donovan than met the eye, as today's freeload will show.

'Breezes Of Patchouli' is a 4 CD set that contains 90 tracks, the 5 albums released during Donovan's heyday 1966-1969, and accompanied by essential related recordings.  The albums are: "Sunshine Superman" from 1966); "Mellow Yellow" from 1967; "The Hurdy Gurdy Man" from 1968; "Barabajagal" from 1969; and the double LP "A Gift From A Flower To A Garden".  The five aforementioned albums occupy the first 3 CDs, while CD4 contains "related recordings" ranging from the familiar extended stereo version of "Sunshine Superman" to alternate versions of "Superlungs" (perhaps best known for its cover version by British rocker Terry Reid) and "Epistle To Dippie."

All the hits are here: "Sunshine Superman", "Mellow Yellow", "Hurdy Gurdy Man" and "Jennifer Juniper" that represent high points in the 1960s pop/psychedelia.  As well, obscure album tracks such as "Writer in the Sun", "Sunny South Kensington" and "Mad John’s Escape" (to name but three) highlight Donovan’s classicist approach. Are there occasional moments of fey and whimsy? You bet, but there’s plenty of era-defining material here that also stands the test of time.  This impressive collection opens with the title track from Donovan's breakthrough LP "Sunshine Superman" which not only quickly climbed the Billboard album and single charts in the US, but began the short, yet incredible run of Mickie Most produced classics Donovan released between 1966 and 1969.

Represented are all the good qualities of "psychedelic rock" and is proof positive that music of this genre need not be filled with extended, heavy guitar riffs and solos, or shake the walls and shatter the windows.

Donovan fully embraced the wide-eyed optimism of the flower power movement, his dreamy, ornate songs radiating a mystical beauty and childlike wonder, and his recordings remain quintessential artifacts of the psychedelic era, capturing the peace and love idealism of their time to perfection.

The sound quality is excellent, and is the
best remastering to date.  I've included the
well annotated 24-page booklet written by Lorne Murdoch, which tracks through this collection quite rightly, and also includes rare photos as well as insightful information regarding Donovan's musical journey through 1966-69 and even beyond.

To qualify for the freeload, tell us what your favorite psychedelic album is.




Tuesday, April 2, 2024

The Doors - 'Infinite' (SACD Box Set)

 


In 1970, I was living in Boston, Massachusetts, and working on my PhD in
Itô calculus at M. I. T., and Jerry (my future husband) was working on his PhD in Applied Physics at Wellesley College.  Jerry and I were living together, which in 1970 was considered quite provocative.

One early March afternoon in the Stratton Student Center of M. I. T., I was thumbing through ‘Boston After Dark’, which was a weekly entertainment newspaper, and saw an advertisement for a Doors concert at the Boston Arena on April 10th.  Jerry and I saw The Doors the previous July at the Aquarius Theater in Hollywood, CA, and it was quite a show.  So I hurried to the Boston Sears Roebuck, where they had a Ticketron (a computerized event ticketing company) outlet.  At Sears, I scored two $6.50 tickets for the late show, which cost $14.30 with the 10% Ticketron fee.  Opening my purse, I realized that I had a ten and threes single dollars bills, I managed to find four quarters, but I was still 30 cents short!  Deep in a corner of my bag, I found two dimes, but I was still ten cents short.  A very strait-laced looking guy in a three-piece polyester suit behind me, who was there to get circus tickets for his family, gave me the extra 10 cents.

Later that day, Jerry came home and proclaimed “I scored two Doors tickets!” to which I replied “Me too, early or late show?” “Early show” said Jerry, I replied, “I’ve got late show tickets” We laughed, and Jerry said “It looks like we’re seeing the Doors twice!”

The day of the show

Neither Jerry nor myself had classes on Friday afternoons, so we went to see our “connection” Larry, a.k.a. “Lucky Larry” who played trombone, and was attending Berklee College of Music.  Larry was a fellow Brooklynite, and a friend of a friend.  He had hair that went halfway down his back, a long beard and always looked completely disheveled.  Larry wore a huge belt buckle that had “LUCKY 13” engraved on it.  He lived in a turn of the century tenement building that had a bathtub in the kitchen of his apartment.  We bought an ounce of Oaxacan buds, two Thai Sticks (Thai buds on bamboo sticks, and tied with hemp string), and four “hits” of “Clearlight Windowpane” acid, which was LSD on a very small triangular shaped piece of red gelatin.  Larry would go on to become an in-demand session musician, toured with Frank Sinatra and Tony Bennett, and played on countless television and radio commercials.  In 2024, Larry and I, are still in contact.

We left Larry’s, and went back to our apartment, smoked a joint, and had a bite to eat.  After we ate, while rolling joints for the show, we toyed with the idea of doing two hits of windowpane each.  We dropped a hit a windowpane, and as we were ready to leave, Jerry said “C’mon Babs, let's do the other hits!” I agreed, we ate the other two hits, and we headed for the bus stop.  On the bus, and halfway to the Boston Arena, we had an “acid shiver” and we were “off to the races” so to speak.

When we arrived at the arena, there was a carnival atmosphere of people selling tee shirts, rolling papers and pipes, weed, acid, uppers and downers - you name it.  We went inside, found our seats, smoked a joint and waited for the show to start.  The lights went down, and a band called “Axis”, an uninspiring blues trio, were introduced.  Next up was folk singer Gordon Lowe, who played solo with an acoustic guitar.  We couldn’t hear Gordon over all the heckling and booing, the poor man received.  Forty-five minutes later, the Doors came on stage to cameras flashing and the entire audience on its feet letting a roar.  Jim Morrison was clearly drunk, but in a jovial mood, and the early show was very cool.

After the early show, we were ushered outside, where it was pouring with rain.  We found a dry area under some scaffolding, smoked a joint and giggled in delight at our acid induced euphoria.  Jerry said he was thirsty, and asked if I was too, and told me “Wait here Babs, and I’ll run across the street, to the store”.  While Jerry was gone, two girls who were drinking beer a few yards away from us started screaming at each other; the next thing I knew, one hit the other one in the head with a beer bottle, and ran away!  People nearby thought that I hit her, and started shouting “That's not cool, why did you do that?” at me.  The girl who was hit, got up on her feet and told them “It wasn’t her” and then she took off with her head bleeding.  By now I was more than freaked out, I lit a cigarette, and noticed two cops getting out of their patrol car, and people pointing in my direction.  Both cops started walking quickly straight towards me, my heart starting pounding and my hands started shaking thinking they thought I did it.  One cop put his hand on my arm and said, “Excuse me, young lady” as they both hurried pass me.  A sense of relief came over me, and I started laughing and couldn’t stop.  Jerry came into view with two bottles of orange juice in his hand.  As we drank the juice, I related to Jerry what just happened, causing him to laugh and pass orange juice through his nose.  By now, it was time to go back inside the arena for the late show.
 
For the late show, scheduled to start at 10PM, we had better seats that were ten rows back from the stage.  It wasn’t until midnight before the Doors hit the stage again.  By midnight, Jim Morrison was an inebriated mess, but managed to keep it together. I remember Jerry commenting, "Jim should stick to pot and acid."  At 2AM due to Boston’s curfew laws, the power to the stage was cut except for Jim’s microphone, which was powered by a separate P.A.  Realizing he had a live mic, Jim quickly used it to rant and curse.  Ray Manzarek grabbed Jim and pulled him offstage, but lost his grip once the two reached the wings.  Running back to the mic, Jim told the crowd, screaming: "We all should get together and have some fun, because the assholes are gonna win if we let them".  The promoter, not wanting a riot on his hands, decided it was best to let the Doors perform one more song. The band came out with Manzarek on guitar and Robby Krieger on bass and did an early rendition of "Been Down So Long," which would appear on the ‘L.A. Woman’ album the following year.

After the show, there were no more buses running, and we couldn’t find a cab, so we walked the few miles home, singing Doors songs, still tripping our brains out.



Today's freeload is The Door's 'Infinite', a 6 SACD box set of their studio albums:
  • The Doors
  • Strange Days
  • Waiting For The Sun
  • The Soft Parade
  • Morrison Hotel
  • L.A. Woman 
The albums were remastered from the original analog source tapes by Doug Sax and original Doors engineer Bruce Botnick.  High frequencies, low frequencies, and those in between--they're all here, and make it seem as if the Doors are playing in six feet away from you.  This is the definitive digital audiophile edition.
 
 For the freeload, tell us about a concert you attended, that turned into a fiasco.

Saturday, March 30, 2024

Led Zeppelin - 'Haven't We Met Somewhere Before?'

 

 

This is a 3CD bootleg, of the March 17, 1975, show at The Seattle Center Coliseum, in Seattle, Washington, from those fine folks at Empress Valley, in Tokyo, Japan.

The (soundboard) audio is so good, it could be released officially, as is.  Of course, if it was an official release, Jimmy would have rerecorded three quarters of the guitar parts, and Percy would have rerecorded all the vocals, and we'd be left with something akin to an alleged "live" Rolling Stones album.  But this is what they really sounded like that night, and it sounds pretty damned good.


CD1

  1. Rock And Roll
  2. Sick Again
  3. Over The Hills And Far Away
  4. In My Time Of Dying
  5. The Song Remains The Same
  6. The Rain Song
  7. Kashmir


CD2

  1. No Quarter
  2. Trampled Underfoot
  3. Moby Dick


CD3

  1. Dazed And Confused
  2. Stairway To Heaven
  3. Whole Lotta Love
  4. Black Dog

For the freeload, what's your favorite Led Zeppelin album?