Tea for the Tillerman is the fourth entry in Cat Steven's discography, and arguably his most popular. That's in thanks to the legendary tracks "Wild World," "Father and Son" and "Where Do the Children Play?." To my ears, this is Cat Steven's best effort.
One of my favorite lyrics of all time ("Lord, my body has been a good friend/But I won't need it when I reach the end") is featured on the track "Miles from Nowhere." I could spend this entire review going on about some of the beautiful, simplistic lyricism on this album, but I won't.
Cat Stevens' voice is not talked about enough. Sure, he may not have huge amounts of range; but he's similar to Dylan or Cohen in that way. His delicate, soft voice pairs perfectly with soothing compositions. This particularly shows through on tracks like "Longer Boats" and "Into White." Stevens also does a bit of really underrated keyboard work throughout the album. "Tea for the Tillerman," as short as it may be, shows Stevens' keyboard work quite well.
Besides Cat Stevens, the studio musicians hired for the album do some excellent work as well. Jack Rostein (Listed as John Rostein in the album's credits) does some fantastic violin work. In fact, his work on "Into White" completely take the song to a new level. Meanwhile, John Ryan's simple yet wonderful bass work really shine through on "On the Road to Find Out" in particular.
Paul Samwell-Smith (who you may know as former bassist for the Yardbirds) does some top-tier production on the album. "On the Road to Find Out," "Father and Son", and "Miles from Nowhere" among other tracks wouldn't be able to achieve the maximum beauty that they do without Samwell-Smith's production.
In my opinion, Stevens' career peaked upon the release of this album.
Today's free load is the Ultradisc II™ 24 KT Gold CD from Mobile Fidelity Sound Lab's "Original Master Recording" collection, from 1992.
For the freeload, tell us what your favorite hot beverage is.











