I remember in 1969, when Jack released 'Songs For A Tailor', the consensus by many Cream fans who weren't at all happy with it, was something along the lines of, "This doesn't sound like friggin' Cream, man!". In fairness, it is a long way from the bluesy, sometimes psychedelic boisterousness of the Uber-trio Cream. Myself, being a jazz fan, I thought it was a pretty cool album, and still do.
On 'Songs For A Tailor', Jack's aggression and authority shines through just as strongly here as it did with Cream. Pete Brown's, slightly surreal lyrics are a great fit with Jack's vocal delivery, which ranges from bruised, fragile white soul to bluesy belting. Jack created an intricate but powerful setting of a fusion of rock, jazz and prog(ish) psychedelia. Felix Pappalardi's spacious production adds texture to the proceedings.
The songs are strong, from sweaty R'n'B on ''Ministry of Bag'' to psychedelic jazz improv of ''Boston Ball Game 1967', Procol Harum-esque melancholia on "'Theme for an Imaginary Western", to the intricate song forms of "Rope ladder to the Moon". Then there's my favorite song on the album, "Weird of Hermiston", which never fails to delight me.
Track listing:
- Never Tell Your Mother She's Out of Tune
- Theme For An Imaginary Western
- Tickets To The Water Falls
- Weird of Hermiston
- Rope Ladder To The Moon
- The Ministry of Bag
- He The Richmond
- Boston Ball Game, 1967
- To Isengard
- The Clearout
Personnel:
Jack Bruce on, vocals, bass guitar, acoustic guitar, piano, organ, and cello.
Chris Spedding on electric guitar.
Felix Pappalardi on percussion, vocals, and acoustic guitar.
Jon Hiseman and John Marshall on drums.
Dick Heckstall-Smith on soprano and tenor saxophones.
Art Themen on soprano saxophone and tenor saxophones.
Harry Beckett and Henry Lowther on trumpet.
John Mumford on trombone.
This is a 24-bit/96kHz vinyl rip, from a pristine copy.
For the freeload, tell us about albums that disapointed you.


Back in the day The Jam were my favourite group and I'd enjoyed all of their albums with 'All Mod Cons' and 'Setting Sons' being sublime albums but as all things it had to come to an end and whilst 'Sound Affects' was a decent album with some classic Weller, songs on it, its follow up 'The Gift' was a hotch-potch of disconnected experiments and mostly clumsy attempts to broaden their style that would eventually become the Style Council.
ReplyDeleteHowever the previously tight freakbeat / powerpop sound of the Jam was definitely the wrong vehicle for what Weller was trying to achieve and apart from the haunting 'Carnation' and the Motownesque 'Town Called Malice' even Weller's lyrical content was clumsy and superficial on the album and for the most part the melodic aspects of his writing had disappeared. Apart from the two aforesaid tracks the rest don't really work.
As Weller sings on the album (The Planner's Dream Goes Wrong.)
"But planners just get embarrassed when their plans go wrong!"
Yup. They certainly should do....
I'm sure there are others in my collection of albums. But I had been following Steppenwolf. For Ladies Only was bad at first but I learned to love it. What was that, 1972? But then they released ' Hour of the Wolf and I just couldn't get behind it. I liked the Slow Flux etc with the new band but Hour of the Wolf just stopped me dead.
ReplyDeleteI saw John Kay open for Guess Who in 1972. His first solo album is good. But Hour of the Wolf just stopped me.
I did see Steppenwolf in 1975 with opener UFO. A while later I saw Van Halen open for UFO.
Wonderful LP. "The Clearout" was a favorite track of mine back when this record was new.
ReplyDeleteCompletely agree with Phantom on the arc of The Jam's LP's.
More like 2 albums, but from the same band. That first album from Journey enjoyed a lot of time on my turntable, given its homage to the early Santana catalogue. Their follow up, Look Into the Future showed them taking a wrong turn into vocals and standard rock fare, while their 3rd lp should have subjected them to the Court in Hague given that it introduced the king of schlock to the world, Steve Perry.
ReplyDeleteLondon Calling. This is still rated not only their best album but one of the greatest double albums of all time. I must have a unique pressing, because it only has one great song on it - the title track. Nothing else comes close. If ever there was an album carried by a single, this is it.
ReplyDeleteMy favourite Clash album is Sandinista, my old 'punk' friends think I'm mad.
DeleteAgreed on London Calling.
DeleteI've always liked Sandinista, too.
'Cut The Crap' was disappointing.
Revisited Sandinista recently, loved it. Still prefer London Calling, what are you smoking you two?
DeleteThis week I'm smoking Sour Orange Diesel Kush. How about you?
DeleteThe two finest Clash songs are Straight To Hell and London Calling. The ratio of good/great songs to album is higher on the single-disc Combat Rock than it is on the double-disc London Calling, so the former gets the nod. Maybe Combat is eschewed by those who don't hear a punk band on it, but they never heard a punk band on a Clash album, and that's not meant as an insult 'cause I liked the Clash and love lots of solo Strummer.
DeleteAs to the comments below on Neil Young by Bambi, I loves me some Neil but Life is my favorite Neil Young album.
C in California
Kush always sounds good, thanks Babs
DeleteThe Clash is one of those bands that have never clicked with me which is odd since I love most of their contemporaries. The only Clash song that I really enjoy is "Train in Vain" which they weren't even planning on including on London Calling.
DeleteThis comment has been removed by the author.
ReplyDeleteAs a reggae fan Sly & Robbie are pretty high up on my top artist list, but their "The 60's, 70's Into The 80's = Taxi" album was a major disappointment, very basic riddims being used over & over, muzak elevator music, avoid it like the plague!
DeleteNeil Young - Landing on Water. WTF happened? I think Life from the next year was pretty bad too, but can’t remember.
ReplyDeleteBe-Bop Deluxe - Drastic Plastic. The previous four studio and one live album were all essential, Drastic Plastic was too big a jump into changing musical styles for me, and the band broke up / became Red Noise briefly afterwards.
Peter Hammill - In A Foreign Town from 1988. I had been buying older Hammill (ex Van Der Graaf Generator) albums for quite a few years, all were great, this one had awful 80’s production. He’s apparently re-recorded it recently.
E.L.P - Love Beach. Ha, ha, the cover picture says it all. They probably should have stopped after the Brain Salad Surgery album?
Grace Jones - Slave To The Rhythm. A great tune but the album was really disappointing after the previous three wonderful albums.
"We can make love on love beach
DeleteOut of reach of the lion's claws tonight.
We can make love on love beach
I want your love, with the stars above
Down on love beach." - LOL
Why, Babs - *snurfle* - that's beautiful!
DeleteYou big old softy, you!
DeleteJoni Mitchell - 'Dog Eat Dog'. Basically generic synth-pop. What was she thinking?
ReplyDeleteThe Velvet Underground - 'Squeeze'. Doug Yule tries to fill Lou Reed's shoes, with disastrous results.
Carole King - 'Speeding Time'. In the early 80s Carole tried her hand at "New Wave". Really?
The Doors - 'Full Circle'. Jim's spinning in his grave...
'Dylan & The Dead' So much potential, so much disappointment.
Dog Eat Dog is a lost classic!! Just kidding. It's impossible to admire, leave alone like. The Mitchell/Dolby partnership was even worse in actuality than on paper. Absolutely unworkable. Like teaming James Taylor with Gary Numan.
DeleteAs to Doug Yule:
https://falsememoryfoam.blogspot.com/2020/05/from-ny-loft-to-hayloft-country-rock.html
Yeah, Mitchell & Dolby, not exactly a match made in Heaven to put it mildly! Shame though cause Thomas Dolby solo I like a lot!
DeleteHow about a category of albums? I've always been disappointed in most of the ____at the BBC stuff. Not quite live, not quite studio & way too much DJ chatter.
ReplyDelete-notBob
Every single album Queen did after A Day At The Races...every single f*****g one.
ReplyDeleteThe triumvirate of Minneapolis indie rock signing to major labels and going to sh*t in the late 80s:
ReplyDeleteHusker Du: Warehouse: Songs and Stories
Replacements: Don't Tell a Soul
Soul Asylum: Hang Time
Babs, I guess you must have been very disappointed with our comments and therefore not posted the download link ;-)
ReplyDeleteI could have sworn, I posted a link!
DeleteWhat's funny is earlier today on WeTransfer, I looked at the transfers page, and was surprised that no one had "freeloaded" it. Now it all makes sense!
Here's the link
https://we.tl/t-QNCqV4wT4W
That can happen sometimes Babs! Thanks again for the music.
DeletePat Metheny "Zero tolerance for silence"
ReplyDeleteWhen I bought ‘Let It Bleed’ in 1969, I wasn't overjoyed with it at first. I only really liked 3 songs (Gimme Shelter, Let It Bleed, Monkey Man), which was a bit low considering the record prices in Germany at the time. Well, things have changed a bit, but when do I get to listen to a Rolling Stones LP again? 🤔
ReplyDelete