Thursday, June 25, 2026

Keep On Keeping On: Curtis Mayfield Studio Albums 1970-1974

 


Keep On Keeping On: Curtis Mayfield Studio Albums 1970-1974 is a remastered 4CD box set released by Rhino Records in 2019.

Curtis Mayfield, the "Gentle Genius", recorded a series of hits with The Impressions before leaving the influential soul-gospel group to embark on a solo career that began 56 years ago.  This solo career produced some of his greatest work.  Curtis has been inducted into the Rock and Roll Hall of Fame twice – first as a member of The Impressions and later as a solo artist.

This collection focuses purely on his standalone studio LPs from this period, so it excludes Curtis' 1972 'Super Fly' soundtrack album.  Frankly, if you don’t already own 'Super Fly' your music library is lacking. (I will link a sweet 24-bit 'Super Fly' on request)

Curtis, a soul and pop innovator, revolutionized music by seamlessly blending socially conscious lyrics with soul, pop, gospel, jazz, and psychedelia.  This groundbreaking fusion laid the foundation for later influential works like Marvin Gaye’s 'What’s Going On' and Stevie Wonder’s "Innervisions".

These four CDs are masterclass in progressive soul.



Curtis (1970)
Mayfield’s solo debut is a masterpiece of progressive soul music. It effortlessly blends heavy, socially conscious groove epics like "(Don’t Worry) If There’s A Hell Below, We’re All Going To Go" with transcendent, uplifting anthems like "Move On Up" (one of my all-time favorite pop/rock/soul songs).  The album’s lush, cinematic strings and delicate ballads like "The Making Of You" create a definitive, lush, and deeply human sound.



Roots (1971)
Serving as an equally sophisticated follow-up, 'Roots' leans slightly more into breezy, danceable soul while retaining its political edge, as only Curtis can.  The arrangements here are impeccably layered with flutes, harps, and heavy brass.  Highlights like "Get Down," "Beautiful Brother Of Mine," and the title track showcase some of his finest electric guitar grooves.


Back to the World (1973)
Following the monumental success of the Super Fly soundtrack, Curtis intentionally expanded his musical horizons.  Instead of trying to replicate the frenetic intensity of his blaxploitation masterpiece, this album presents a bluesy, laid-back, and cinematic funk vibe.  Songs like "Right On For The Darkness" and "Future Shock" are expansive, jazzy epics with undeniable positivity.



Sweet Exorcist (1974)
Leaning heavily on deep grooves, 'Sweet Exorcist' shifts from the fiery political outrage of his earlier work to a more sorrowful, reflective, and lushly produced R&B tone. Tracks like "Kung Fu" and the title track feature a deep, psychedelic funk undercurrent that continues to be a fan favorite.


Curtis continued to create some truly amazing and incredible songs in the latter part of the ’70s, but the core of his influence and lasting impact is captured here.  Listening to it now offers a fresh perspective, allowing you to truly appreciate how his music (to paraphrase) keeps on keepin’ on.

Audio-wise, this set offers the best audio presentation of these albums since their original print runs.  Mastered by Chris Bellman at Bernie Grundman Mastering, the audio is warm, vibrant, and remarkably clear, replacing the older, muddy digital transfers.  These are the versions you should have. 

For the freeload, let's talk about socially conscious artists, and albums.

24 comments:

  1. Woody Guthrie
    Leadbelly
    Paul Robeson
    Johnny Cash
    Cris Williamson
    Kathleen Hanna
    Joe Strummer

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  2. The first couple that come to mind are, I'm sure there are many more.
    Freak Out - The Mothers Of Invention, think Who Are The Brain Police - Hungry Freaks Daddy - Trouble Every Day

    Country Preacher Live - Cannonball Adderly

    And I'm looking forward to this Curtis collection, I've always been a fan. As always, thanks Babs

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    1. Does Zappa count as "socially conscious"?

      He was more concerned with the rights of a person rather than the rights of the people.

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    2. I like to think he was. He was concerned about the hippie movement. He was concerned about politicians. He was concerned about personal rights, freedom of speech being an example. Thanks Babs

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    3. That's kind of my point. Personally conscious isn't the same as socially conscious.

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  3. As a teenager, I occasionally babysat for a couple down the street who, in retrospect, were very progressive for the era—early 1960s. They had a copy of Joan Baez's debut LP, and I became caught up in her crystalline voice and the finger-picked guitar accompaniments. It wasn't too long after that she became synonymous with the antiwar movement, and refused to pay income tax on that portion that would be spent on war.
    Then we have Bobby Zimmerman whose earlier work held up a mirror to America that was both poetic and acidic. Neil Young, too, has done his share of social commentary. As has Rahsaan Roland Kirk, Phil Ochs, J.B. Lenoir, and a host of others. Thank you for all the Curtis bounty, I'm looking forward to listening to the upgrades.

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  4. Phil Ochs, absolutely. I was never sure about the voice, which sounded so sweet and unperturbed, but the words and the ferocity behind them did the job. An example is "I Ain't Marching Anymore"; the singer could be an innocent young recruit finding out the truth about War, over and over - so the voice suits the song there. Phil Ochs is a true obsession for me. His life was so filled with incident and it was not an easy ride, to say the least. And I learned so much from him as a young teen looking at an insane world.

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  5. ANON RF: Sorry, forget to leave my tag on the above Phil Ochs post.

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    1. "And the speeches of the President / Are the ravings of a clown." - Phil Ochs, in his re-make, "Here's To The State of Richard Nixon." Seems a propos too often these days.
      D in California

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  6. I've always wished Marvin Gaye made a few more albums in the vein of 'What's Going On', his acid inspired, snow-white fueled masterpiece, before he entered his dance floor "pussy hound" phase.

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    1. it's singularity made it all the more, what's the word, "digestable"? hmmm. no, that's not it. Let me get back to you on that. As i draftable right after Tet, I was listening closely to Ochs, Country Joe, but also Stokley Charmichael, Timothy Leary and on and on. Came the day of the big test, i failed 6 IQ tests. Once they gave up on me, I couldn't leave them be, mailed my draft card back to Nixon, and headed west.

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  7. Gotta be Frank Zappa and Gil Scott-Heron.

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    1. Wow. There's a partnership that should have happened.

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    2. Could never have happened. Zappa didn't do partnership, he was the boss.

      If it's not too obvious, I'd like to mention Stevie Wonder's Innervisions.

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  8. Billy Holiday (Strange Fruit) and Betty Carter (AA female artist who founded her own record label) come to mind. Sinatra before he became a Vegas gumba was a well known leftist. My wife's parents, Harry Glickman and Madge, were card carrying communists when that alone got you time and also active in workers unions.
    Love Curtis' discography. Roots is one of my desert island discs.

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  9. Red diaper baby Country Joe McDonald comes to mind along with a host of punk bands. Any of Farq's old bands.

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  10. The Staples

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  11. For a style of social consciousness different from most of the above there was Detroit's MC5 and the earliest British punks

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  12. Georges Brassens was so good they had to name him twice.

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  13. Thom Yorke - Harrowdown Hill for example...

    ~ Jon

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  14. Link
    https://workupload.com/file/CdSw8s7MNmC

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  15. Archie Roach : Charcoal Lane. indigenous Australian.Beautiful songs of protest etc.

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