Let’s take a trip down memory lane to 1967, a time when expectations were exceptionally high for the follow-up to the Jimi Hendrix Experience’s groundbreaking debut album, 'Are You Experienced'. Most fans would have been content if Jimi had simply rehashed some of its most radio-ready moments, such as "Purple Haze", "Fire" or "Foxy Lady".
But, Jimi, like all artistic geniuses, resisted the pressure to deliver more of the same. Instead, in January 1968 (December 1967 in the UK), he released 'Axis: Bold as Love', less than a year after 'Are You Experienced'. 'Axis: Bold As Love' focused on refining his melodies, lyrics, and, with producer Chas Chandler, who helmed the first album, creating a more expansive production. While the guitar playing and tone were exceptional, they were integrated into song structures rather than being as prominent as on his previous or later sets.
Only one single was released, "Up From the Skies"/"One Rainy
Wish", which went nowhere. However, the material flowed together more
organically as a cohesive statement rather than a batch of 45s, as in
the previous offering. The album rose to #3 on the American charts and
was considered a success, both commercially and artistically.
The dozen songs, excluding an opening two-minute sci-fi piece titled "Exp", span a range of genres, from the funky soul of "Wait Until Tomorrow" to the bubbling jazzy undertones of "Up from the Skies". "One Rainy Wish" features psychedelic R&B, while "Little Wing" and "Castles Made of Sand" evoke a glistening dreaminess. The latter, with its groundbreaking backwards guitar solo, is particularly noteworthy. Dylan-esque lyrics, dramatic, provocative time and tempo changes, and oblique, spoken-word poetry are evident in "If 6 Was 9". Alongside these elements, the driving rock of "You Got Me Floatin" and "Ain’t No Tellin" contribute to the collection’s forward-looking and genre-breaking nature.
Jimi along with engineer Eddie Kramer and producer Chas Chandler spent countless hours at London's Olympic Studios meticulously constructing and condensing these tracks. Seven of them don’t exceed the three-minute mark, while only one song, "If 6 Was 9" surpasses the five-minute mark. Despite their shorter lengths, nothing appears rushed. Instead, the meticulous overdubbing creates layers of sound, showcasing the thoughtful crafting of each tune.
'Axis: Bold As Love' is by far my favorite Jimi Hendrix album, and the one I reach for most.
Today's freeload is the UHQR (Ultra High Quality Record) released in April 2019 by Analogue Productions on 200 gram vinyl. This is the stereo version, and was limited to 5000 pressings. The sonics on this reissue are nothing short of extraordinary.
For the freeload, what are some of your favorite song intros?

Cannonball Adderley's version of Autumn Leaves from the lp Somethin' Else. Just love the different meter and rhythm that starts the song, which then segueways into a magical version of an iconic jazz standard.
ReplyDeleteI love a great percussive intro, so these count as faves: Ventures' Hawaii 5-0, Zep's When The Levee Breaks (I actually learned to edit music files 20-some years ago so I could loop that intro and turn it into a 2-minute 'song' that fades right before Percy comes in), Bob Seger's Ramblin' Gamblin' Man, the Mac's Hypnotized.
ReplyDeleteFor guitars (sound), Norman Greenbaum's Spirit In The Sky (such fat dirty tone), Beatles' It's All Too Much (primal blast), the Grape's Omaha, Kyuss' Thumb (fat menacing tone), Big Brother's live (Monterey) Ball & Chain (primal blast), Les Thugs' I Love You So (menace), Jimi's Red House.
For bass, Alice In Chains' Would?
For setting the table: Temptations' Papa Was A Rollin' Stone, Airplane's White Rabbit, Van Halen's Pretty Woman, Doors' The End, Ozzy's Crazy Train, and Bobby Darin's absolutely sublime live If I Were A Carpenter.
C in California
I'm Not In Love - Talking Heads, Little Miss Lover - Jimi Hendrix (on this LP!), Summer Breeze - The Isley Brothers, Suzanne - Judy Collins.
ReplyDeleteRahsaan Roland Kirk's intro to his "The Inflated Tear" still raises goosebumps after countless listenings. Following the percussion prelude, Kirk's three horns—manzello tenor, and stritch—play the massive opening notes. Counterpointing this entrance of grouped horns is the theme played on the stritch alone. Rahsaan's tone is gorgeous. There's a live rendition he performed in Prague here: https://www.reddit.com/r/Jazz/comments/lcwulu/rahsaan_roland_kirk_the_inflated_tear_1967_live/
ReplyDeleteYou "beat me to the punch" on "The Inflated Tear"!
DeleteOliver Nelson — "Stolen Moments"
ReplyDeleteLouis Armstrong — "West End Blues"
John Coltrane — " Naima" & "Blue Train"
Rolling Stones — "Can you hear me knocking" & "Satisfaction"
Bruce Springsteen — "Jungleland"
West End Blues - that intro has often tried to be copied, but never met or exceeded.
DeleteIn no particular order:
ReplyDeleteSaint Behind the Glass - Los Lobos
Whippin' Post - Allman Brothers Band
Eat That Question - Frank Zappa
Rythm A Ning - Thelonious Monk
Blue Rondo a la Turk - Dave Brubeck
+ lots & lots more, thanks Babs
The opening of "Be My Baby", often referenced/copied, never equaled
ReplyDeleteThe intro to "Paint It Black"
I love this place. Missing even a day or three is no fun.
ReplyDeleteGotta go with Steve Hunter and Dick Wagner's guitar work on on Lou's "Sweet Jane" on Rock 'n' Roll Animal, though Greil Marcus ain't wrong about Johnny B.Goode. Does Dee Dee's 1-2-3-4 count as an intro? Or the Modern Lover's "Roadrunner" intro?
Interestingly, Hunter and Wagner were also a part of Alice Cooper's touring band when they were recruited by Reed.
Delete"Sky Saw" - from Brian Eno's "Another Green World" 1975 (with Robert Fripp)
ReplyDelete&
"Starless" - from King Crimson's "Red" 1974
Just an incredible entry into an unknown world:
https://www.youtube.com/watch?v=OfR6_V91fG8
Expertly used in the intro to the film "Mandy" a few years ago...really sets the vibe.
- Jon in California
ps
Delete"Watermelon In Easter Hay" Frank Zappa
(After he finally stops talking/laughing...)
https://www.youtube.com/watch?v=_3cu8sDa90Y
Lush Life
ReplyDeletePete Townshend was the master of the Intro. My top 5 Townshend Openings
ReplyDelete5 Baba O' Riley
4 I Can See For Miles
3. Who Are You
2. Pinball Wizard
1. Won't Get Fooled Again (the extended live version)
The opening to Mott The Hoople's All The Young Dudes is sublime and no opening announced the arrival of a new genre better than the opening to Anarchy In The UK. But there are so many. 'Satisfaction', Smoke On The Water, Paranoid, Whole Lotta Love, Stairway, All Right Now, House Of The Rising Sun by the Animals, Tobacco Road by the Nashville Teens, You Really Got Me - The Kinks, Psychotic Reaction - Count Five, I Had Too Much To Dream - Electric Prunes, 7 and 7 is - Love, 13th Floor Elevators - You're Gonna Miss Me, Light My Fire and Riders On The Storm ~ the Doors, See Emily Play - Floyd, From The Underworld - The Herd, Madmen Running Through The Fields - Dantalions Chariot, Here We Go Round The Mulberry Bush - Traffic, Wipe Out - The Surfaris, Ticket To Ride - The Beatles etc etc etc
But I think the one that is my favourite of all is the opening to Don't Fear The Reaper by Blue Oyster Cult.
And don't get me started on the earlier stuff....
'A Wop Bop A Loo Bop A Wop Bam Boom'
And one last one that I just had to mention. The opening of Bowie's Diamonds Dogs Album, the Future Legend / Diamonds Dogs opening which ends with
ReplyDelete'Any Day Now; The Year Of The Diamond Dogs,
This ain't Rock N' Roll, This Is Genocide!'
JOurney to the Center of the Mind - Amboy Dukes
ReplyDeleteRevolution - Allman Bros
Camp Meeting Blues - Don Wilkerson
In each of these the actual song is a disappointment.
Peter en zijn Rockets - Kom Van Dat Dak Af
ReplyDeleteShocking Blue - Venus
Napalm Death - Deceiver
Repulsion - The Stench Of Burning Death
Albert Ayler - Truth is marching in
Slayer - Hell Awaits
Speedy J - Evolution
Psychic TV– Ecstacy In The UK
Link
ReplyDeletehttps://workupload.com/file/QFK3dePQeGk
Pink Floyd - Time, very loud
ReplyDeleteGood afternoon, everyone,
ReplyDeleteWish you we're here - Pink Floyd
Voodoo Child - Jimi Hendrix
Five Years - David Bowie ... and a lot more
Many thanks for Jimi ...
Kind regards,
Mike
I am the god of Hellfire
ReplyDeleteSuzanne takes you down to her place by the river
Broken Lines, Broken strings
Now the party's over
I can settle down And be doing just fine Till I hear an old freight Going down the line
Song for our Ancestors: Sailor (Steve Miller Band) try it on the best gear you can buy
ReplyDeleteMonkey Man
ReplyDeleteAt The Mountains of Madness - H. P. Lovecraft
ReplyDelete