
George Mitchell (above) made numerous field recordings of
Southern blues musicians and other traditional artists from 1962 to the
early 1980s. George is also a world-class photographer, and has authored nine books.
The George Mitchell Collection is a 7CD set. The first 6 CDs compiles the first 45 volumes that were originally released on 7 inch vinyl on Fat Possum Records', plus a bonus CD.
The George Mitchell Collection is a 7CD set. The first 6 CDs compiles the first 45 volumes that were originally released on 7 inch vinyl on Fat Possum Records', plus a bonus CD.
CD1 - Volumes 1 through 7
CD2 - Volumes 8 through 14
CD3 - Volumes 15 through 22
CD4 - Volumes 23 through 29

The Robert Johnson on tracks 15 through 19 is not the legendary Robert Johnson who died in 1938. This Robert Johnson was born in 1916 in Crowley, Louisiana, and recorded with his family by George Mitchell in their home just south of Cleveland, Mississippi. There's a chapter about this Robert Johnson in George Mitchell's 1971 book 'Blow My Blues Away', which I highly recommend to blues fans.
As an aside: There was a Robert Johnson in my high school homeroom, he was not happy when I told him of the blues musician Robert Johnson, and offered to play 'King Of The Delta Blues Singers' for him. [whatevs - Ed]
CD5 - Volumes 30 through 38







When I was young, and did not know anything else but the music of the pop charts and the stuff my brother bought, I went to a music library. You could get three albums for a week for a three guilders. After looking around my eye fell upon a trio of albums by one band and curious covers. So my introduction to Wire was purely based on the album art.
ReplyDelete2 come to mind immediately. Sunburst Finish - Be Bop Deluxe & Black and White - The Stranglers. Interestingly (or not) both are the third album by each group. Thanks Babs
ReplyDeleteKenny Dorham's 'Matador'
ReplyDeleteDexter Gordon's 'Go'
John Zorn's 'Naked City'
When I was young, I rode my bike to the nearest commercial district in Los Angeles, where there were record stores. One called "The Wherehouse" was prone to making massive displays of a featured album, and that is how I bought "Who's Next" and later "Close To The Edge." Honestly, I'm not sure when I realized that The Who had just all "taken a slash" at the concrete at the center of the cover photo...
ReplyDeleteD in California
Herb Ellis and Red Mitchell's Doggin' Around. Cover art courtesy of the creator of The Far Side, Gary Lawson.
ReplyDeleteEmbarrassing now, but at 15 In Leisure Landing records I paid 2.99USD for Buckingham-Nicksa year later I spent maybe a buck more to get BÖC's Secret Treaties...a few days later my mother, a refuge from Nazi Germany, spotted the Messerschmitt Me 262 and screamed at me to get it out of her house, screamed at me as I got it out of her house, and kept screaming at me upon return. Two years later she was amused by "Blitzkrieg Bop," maybe because Joey Ramone was a nice Jewish boy...?
ReplyDeleteAlso, at 16, I spent a month in Greenville, Mississippi, and made my not entirely amused friend drive to "the crossroads" (where highways 61 & 49 cross in Clarksdale) where Robert Johnson supposedly made his deal. True fact--best kind--we were too scared to go at night. Somewhere I have a picture...
ReplyDeleteBless Its Pointed Little Head, Live/Dead (my first exposure to the GD, hey I was 14 or 15), Spring of 2 Blue-J's (not my first CT excursion, but still my favourite), and I concur with Babs on Naked City...
ReplyDeleteI bought the King Biscuit Boy LP "Gooduns" on the strength of its cotton outer cover that mimicked the packaging of a popular cornmeal sack found all over the deep south in the 50s and 60s. King Biscuit White Cornmeal Mix was promoted by Sonny Boy Williamson II, who had a daily radio show on KFFA in Helena, Arkansas. The station reached far and wide across the flat Mississippi Delta making both the cornmeal and the masterful harpist Sonny Boy household names. (The record's okay, if musically a bit unfocused, but it's decidedly outshone by its cover.)
ReplyDeleteWhilst I wasn't entirely ignorant of the actual content's allure the following ECM dates' artwork clinched my speculative purchasing -
ReplyDeleteWeber/Ingenbold 'Winterreise'
Edward Vesala 'Lumi'
Veljo Tormis 'Forgotten Peoples'
Jane's Addiction - their 1st album cassette tape version...
ReplyDeleteAlso, Jesse Sykes and the Sweet Hereafter "Like, Love, Lust and the Open Halls of the Soul" - it was a CD that caught my eye on one of those return to shelf carts at the Vancouver public library. I instantly became a mega-fan and have gone to as many shows as I could afford to...I've since been given a big hug my the artist herself, one of the greatest highlights for me regarding musicians & songwriters that I love.
ReplyDeletehttps://en.wikipedia.org/wiki/Like%2C_Love%2C_Lust_and_the_Open_Halls_of_the_Soul
My all time favourite is the Tiffany Shade self titled album which I bought the original UK release of without listening too it based on its magnificent cover. Being the UK release is even better as the laminated cover makes the colours much more vibrant.
ReplyDeletehttps://www.discogs.com/release/2975312-Tiffany-Shade-The-Tiffany-Shade
Of course there are others that I own as much for the novelty, notoriety and relative scarcity. One that comes to mind is the first Silver Convention album which because it displayed female nudity got banned and resulted in them snowing out the offending bits in all but the earliest pressings. I own an uncensored copy.
I'm a sucker for sixties artwork and music so albums from more contemporary times which hint at being 60's retro will always peak my interest. Recent examples are the Shortwave Set's Album 'Replica Sun Machine' and the Stands' 'All Years Leaving' both of which I have bought having first been made aware of them by spotting the cover of their album on eBay.
https://en.wikipedia.org/wiki/Replica_Sun_Machine
On top of that I'm always tempted to buy early mid sixties UK albums simply because of the artwork and of course the laminated cover which in my view helped create the best and often more durable album and EP covers of all time (US Albums of that period often get 'label rub damage') and its sad they ever stopped making them.
PS And if you ever find a copy of the Beatles white Album with a pressed number below 100 on the front cover grab it because its one of the first 100 copies printed and to some Beatles collectors is very collectible (copies with a number less than 20 have sold for more than £10,000.
DeleteThere is an also album I did not buy, because of the cover.
ReplyDeleteunsane - unsane
Pre-Giuliani NYC to a tee.
DeleteMost recently Jeanne Pruett which I mentioned in my relaunched podcast which whilst not glitch free is getting there so join me (Trailer Star - dead country star) in the charity shop archive...
ReplyDeletehttps://tapeheaven.substack.com/p/trailer-star-radio-no-1
Link
ReplyDeletehttps://workupload.com/file/75L5BJrgDhS
2 Ginger Baker Albums and Dark side of the moon and Santana self-titled: the lion one... because they were advertised in tv guide Columbia record club with 12 discs for 1 cent
ReplyDelete"Angel Dust" by Gabriel Bondage -- was in the dollar bin and had an oil pastel painting of a nude supine woman washed up on a beach with a mystical feather floating in the sky above her. It was from '75 on Dharma records and with a name like Angel Dust, which I mistook for the artist, I thought it would be a cool psych-rock album but it turned out to be a (quasi)X-tian progressive rock album (still pretty interesting in it's own way though).
ReplyDelete