In 1961, during my freshman year of high school, I was summoned to my guidance counselor’s office. His name was James Byrne, and he was basically a well-meaning, but clueless man. We spoke of my future plans, goals etc., and when I told him I wanted a career in mathematics, he said condescendingly, "Oh you want to be a career gal, eh?", and told me of my options, which were teaching, bookkeeping or secretarial work. He then told me a typing course would be in order, and put me into the introduction to typing class.
A few days later, I found myself sitting in front of a typewriter with no letters on the keys. Our teacher was Mr. Williams, he was the only black teacher in my school. Due to my not wanting to be in the class, I had a bad attitude about being there, which Mr. Williams picked up on, so our relationship was strained at best.
So what does this have to do with Slim Harpo, you ask?
Well, Mr. Williams was the spitting image of the above photograph of Slim. They even wore the same glasses. After a few weeks in his class, Mr. Williams and I started to warm up to each other. One day I asked him, "Has anyone ever told you, that you look exactly like Slim Harpo?", he asked me, "Who’s Slim Harpo?" When I told him, "Slim Harpo is a blues musician.", he became agitated and said to me, "I guess we all look the same to you!", shook his head, and walked away. I should point out here, that many kids called Mr. Williams’ class, "N***er typing", and Mr. Williams thought I was part of that crowd.
The next day I said to Mr. Williams, "We had a misunderstanding" and showed him the above picture of Slim in a music magazine, he laughed, and said, "Damn, you were right!"
What'd you know? Here's Slim Harpo!
'The Excello Singles Anthology' is a 2CD set, it was released on the Hip-O Records label in 2003. It also has a very nice 24-page booklet (included in the freeload). This is the Slim Harpo, I play the most.
Slim Harpo, brought a distinct Louisiana swamp vibe to his recordings, in these classic singles for Jay Miller’s Nashville-based Excello Records in the early 1960s. The rustic and laconic nature of these recordings, is enhanced by Miller’s signature echo-laden production. Classic stuff.
To my ears, all the best musicians, producers, and many record labels have a signature sound.
For the freeload, what are some of your favorite signature sounds?


Excello def had that swamp/smoky/reverb sound down to a science. Another one was anything that Cosimo Matassa engineered or produced in New Orleans for various labels, including his own. Went to one of his birthday parties and he claimed that his distinctive sound was based in large part on the use of a baritone sax in most of his recordings.
ReplyDeleteCreedence Clearwater Revival copied Jay Miller's sound, but couldn't quite duplicate it.
DeleteSo jealous--musta been a party
DeleteI very briefly dated one of his nieces (we decided it was best to just stay friends, as we had been beforehand). It was a great party, especially the musicians who were there and performed for him.
DeleteChess, Sun, Savoy, Prestige, Motown, Muscle Shoals all had distinct studio sounds, owing in part to producers using the same backing talent. I also love the sound of Capitol's releases in the 40s that were cut in their Hollywood studios. They must have had some great acoustics together with some very warm mics—the atmosphere on a lot of the R&B and jazz sides recorded there was palpable. As to artists, all my faves have their distinctive sounds—that why they're faves!
ReplyDeleteThe swirly sound that Junior Kimbrough played. "Meet Me In The City" is the best example (and shows up on just about all his albums). About 10 years ago, I heard one of his kids play at the Oxford Blues Festival -- I can't remember which one of Junior's 36 children it was -- and asked where the sound came from. Answer: "Reverb & maybe a little tremelo on his amp."
ReplyDeleteI also think Blind WIllie McTell's 12-string work, especially the gospels songs he played, was distinctive, somehow foreshadowing what it took two guys (Skydog & Dickey) to emulate.
I couldn't agree more on all counts!
DeleteThanks Babs. Another great bit of history. Roebuck Pops Staples guitar & the Staples singing. Also just about anything Stax related. Thanks Babs
ReplyDeleteThe Rudy Van Gelder sound on countless Blue Note albums.
ReplyDeleteWhat about musicians who play 2 or 3 notes, and you immediately know it's them?
Coltrane
Miles Davis Harmon muted.
Django Reinhardt
Carlos Santana
Joe Henderson
Jerry Garcia
George Harrison
Charlie Parker
Everything Duke Ellington did.
Monk
To name but a few…
Who can add to this list?
Eric Dolphy, Roland Kirk, Ben Webster
DeleteI Just realized, I left out Bird.
DeleteDon Van Vliet's Magic Band is instantly recognizable to me...
DeleteI finally thought of an instantly recognizable sound: Richard Thompson. Within just a few notes you know it's him, no matter who he's playing with. You could say the same of his voice.
DeleteZappa
DeleteHan Bennink
ReplyDeleteBut it is relatively easy with people who have a closed body of work. I used to recognise 1-2-3-4 by The Ramones and occasionally could name the tune. 20 years on I can't anymore.
I would never guess Jerry Garcia out of ten others.
A lot of recording studios had distinctive sounds - before they all got the same gear in the 70's - for example it's very easy to pick the Stones songs done at R.C.A. or Chess.
ReplyDeleteAdding to the list, James Booker, Duane Allman, Memphis Slim, Bobby Keys. Thanks Babs
ReplyDeleteWe can't forget John Lee Hooker.
DeleteRory Gallagher, thanks Babs
DeleteSomeone already mentioned Da Brudders 1-2-3-4. How about Bo Diddley?
ReplyDeleteBo!
DeleteAnything produced at the Motown "Hitsville U.S.A." Detroit, Michigan studios.
ReplyDeleteI don't think anyone has mentioned Stax yet nor indeed the work of the likes of Phil Spector. Then of course there was Shel Talmy who pretty much created the 'Freakbeat' genre with his work with The Who, The Kinks, The Creation, The Easybeats and not forgetting lesser bands such as David Jones's (Bowie) Mannish Boys / Lower Third and a host of others including the Nashville Teens.
ReplyDeleteHi Babs! It wasn't a week ago that I stated that my fave two bluesers are Mississippi John Hurt and Slim Harpo, and here he is!
ReplyDeleteI write to thank you, and to ask if there's a problem with track #8 on the MJH offering; I tried to convert it to WAV and twice got a 'File is Corrupt' message. Is it just me?
C in California
The file is OK on my end, but here’s a new link .
Deletehttps://workupload.com/file/smuubaGqwWM
Have you tried, or do you use MediaHuman? This is my favorite converter, and it’s free.
https://www.mediahuman.com/audio-converter/
I've not tried MediaHuman, so thanks for the rec. I successfully unzipped your new link, and it went swimmingly, so thanks again!
DeleteC in California
Enjoy, C in California!
DeleteLink
ReplyDeletehttps://workupload.com/file/D9xJU2sBJuD
Willie Mitchell and the Hi Records sound.
ReplyDeleteSlim Harpo was a great songwriter as well as a performer. King Bee, Raining In My Heart, I've Been Your Good Thing, Don't Start Crying Now, Got Love If You Want it, Shake Your Hips... WOW!
I had the same issue when I tried to convert the file to ALAC using a standard audio conversion software. But I was able to open the file with an audio editor - I used Rogue Amoeba’s Fission, but others should also work like Audacity. I then saved the file in my desired format and the new file is no longer corrupted. Plays fine on my computer.
ReplyDeleteGbrand
Thank you - D in California
ReplyDelete