In January 2024, Blue Note Records is celebrated their 85th anniversary with a new reissue series named "Blue Note 85"
Blue Note Japan started issuing a series of UHQCDs using the masterings that Kevin Gray did for the Tone Poet and BN Classic LP releases. By using the digital source material he created for the analog reissues,
he reproduced the sound of the original master tapes as faithfully
as possible to achieve the ultimate analog sound. Also, each title
features the UHQCD format.
So what's all this UHQCD razzmatazz, you ask?
Here's the propaganda:
In fairness UHQ-CD are aimed at people with CD transports (as opposed to CD players) and other high-end equipment, you know "audiophools", not unlike myself. That said: these are the digital versions you should have.
Over the next few weeks, my Jazz posts will be of this series.
So let's get started with: Wayne Shorter's 'Night Dreamer'.
In April 1964, Wayne entered Van Gelder Studios in Englewood Cliffs, New Jersey, with trumpeter Lee Morgan and bassist Reggie Workman, who had been a mainstay of John Coltrane’s group until 1961. Add to that, pianist McCoy Tyner and drummer Elvin Jones, both then bringing startling new energies to light as half of Coltrane’s Classic Quartet. This was a productive time for the Wayne, who was searching for new creative ground while still swinging hard.
The result was 'Night Dreamer', his first album as leader for Blue Note, which was also the first in an extraordinary 11-album run, that saw him moving through more open-ended version Post-Bop, and up into the "foothills" of Fusion in the early 70s.
'Night Dreamer' was a transitional moment for Wayne. And as if that wasn't enough, just five months after the recording of 'Night Dreamer', he joined Miles Davis’s band, unifying the line-up of Miles' phenomenal Second Great Quartet, which is my all-time favorite band of any genre. But that’s another post for another day.
For the freeload, who's your all-time favorite band?
So what's all this UHQCD razzmatazz, you ask?
Here's the propaganda:
"UHQ-CDs (Ultimate High Quality Compact Discs) are a type of CD developed by Memory-Tech that uses a new photopolymer casting method to create more accurate pits on the disc, aiming to reproduce the sound of original master tapes as faithfully as possible."Yeah, whatever….they're still 16-bit, 44.1 Red Book CDs. However, they sound excellent, which probably has more to do with Kevin Gray's remastering than photopolymer casting.
In fairness UHQ-CD are aimed at people with CD transports (as opposed to CD players) and other high-end equipment, you know "audiophools", not unlike myself. That said: these are the digital versions you should have.
Over the next few weeks, my Jazz posts will be of this series.
So let's get started with: Wayne Shorter's 'Night Dreamer'.
In April 1964, Wayne entered Van Gelder Studios in Englewood Cliffs, New Jersey, with trumpeter Lee Morgan and bassist Reggie Workman, who had been a mainstay of John Coltrane’s group until 1961. Add to that, pianist McCoy Tyner and drummer Elvin Jones, both then bringing startling new energies to light as half of Coltrane’s Classic Quartet. This was a productive time for the Wayne, who was searching for new creative ground while still swinging hard.
The result was 'Night Dreamer', his first album as leader for Blue Note, which was also the first in an extraordinary 11-album run, that saw him moving through more open-ended version Post-Bop, and up into the "foothills" of Fusion in the early 70s.
'Night Dreamer' was a transitional moment for Wayne. And as if that wasn't enough, just five months after the recording of 'Night Dreamer', he joined Miles Davis’s band, unifying the line-up of Miles' phenomenal Second Great Quartet, which is my all-time favorite band of any genre. But that’s another post for another day.
For the freeload, who's your all-time favorite band?


In the whole world? Of all times? African, Brazilian, Central-Asian, Danish, Everything on a pile? The Berliner Philharmoniker compared with Duke Ellington Orchestra, The Residents, Culturcide, Lolo Lolitta, and Gamelan Orchestras? Pffffffffffffh
ReplyDeleteFranco & Le T.P.O.K
Kiyika Masamba (Flamy) & Orchestre "Kara De Kinshasa"
Bezunesh Bekele & The Dahlak Band
Slits
Celia Cruz Con Sonora Matancera
Estrellas De Areito
These are most certainly in my top three
Difficult decision, lots of great contenders, but this morning my all time favorite band is Los Lobos. Thanks Babs
ReplyDeleteI know this is cheating a bit, but leaving out The Beatles and The Stones (I think they should be mulligans), it's gotta be The Kinks.
ReplyDeleteNight Dreamer was my first Blue Note (followed soon by Conquistador and Page One).
ReplyDeleteAll time favorite band is the original Mothers of Invention.
All time favorite band feels like madness...so many. For decades I thought my desert island disc was Exile on Main Street, but I don't think I'd pick the Stones...The Dead, I suppose. Unless it's the Clash. #fml.
ReplyDeleteJesse Sykes and the Sweet Hereafter
ReplyDeleteIn this moment, The Band, but it's never really a static thing.
ReplyDeleteThe short-lived Band Of Gypsys, I think. For those with a larger sample size, either the Stones or the Coltrane Quartet/Quintet/Sextet etc. Or the Cecil Taylor Unit (when they were a trio). For a modern day live performance fave, Los Lobos.
ReplyDeleteByrds
ReplyDeleteI have a nice Byrds post forthcoming.
DeleteApart from the obvious one's (Beatles, Stones, L.Z.) I've always had a soft spot for the Doors.
ReplyDeleteI tend to go in cycles with The Doors. For a few years, I'll play them regularly, and then for some reason,
DeleteI lose interest. A few years later, I "rediscover" them.
The original Little Feat
ReplyDeleteOriginal composition of The Meters.
ReplyDeleteyeah ya right
DeleteLyle Lovett and his Large Band
ReplyDeleteBooker T & the MGs
ReplyDeleteThe Jam
ReplyDeleteWhenever I'm asked that I think to myself "that's next to The Stones & The Beatles of course", and then I immediately think: Soft Machine.
ReplyDeleteBrian
Excellent choice!
DeleteWhat a question! Nearly impossible to answer, but i try.
ReplyDeleteIn my pop-rock times there was only one answer: The Beatles.
Followed by my Jazz times, and there it's not so easy, but i'm a big fan of the Cannonball Adderley Quintet.
Link
ReplyDeletehttps://workupload.com/file/GZrVpYQeV4d
Mighty Steely Dan will do for me.
ReplyDeleteTough one anywat.
Cheers Babs
Bat
Gotta be Steely Dan, then The Cramps, Hatfield and the North, and Iggy and the Stooges.
ReplyDeleteR.E.M. then, The National now.
ReplyDeleteSoft Machine, Steely Dan, Blue Nile, NRBQ - no particular order.
ReplyDeleteYowzers; initially I was thinking it would probably have to be the Stones by default but upon further contemplation, I'm surprising myself by choosing Pavement (followed closely by The Velvet Underground and The Replacements). Iggy and The Stooges (good call Mr. Grimsdale) and Television were also in the running but they burned a little too bright too briefly compared to the others.
ReplyDelete