"The High Priestess of Soul," Nina Simone, was a multifaceted artist who excelled as a singer, pianist, songwriter, and civil rights activist. Known primarily as a jazz singer, her music skillfully blended various genres, including gospel, blues, folk, pop, and classical styles.
Among all popular singers, Nina held a profound and enduring association with the Civil Rights Movement.
"You can't help it. An artist's duty, as far as I'm concerned, is to reflect the times."
—Nina Simone
'You've Got To Learn' was recorded live, Saturday, July 2. 1966 at the Newport Jazz Festival.
This performance has been talked about in jazz circles for half a century. Tales of her captivating set, which held the audience so captivated that they refused to let the next act perform. The revamped version of her passionate "Mississippi Goddam" made all made me wish I was there, or at least be able to hear Nina’s performance.
Turns out, Nina's set was recorded, and Newport Jazz Festival promoter George Wein donated the tapes of Simone’s performance to the US Library of Congress, where they remained forgotten until Wein’s passing in 2021. Historian Nadine Cohodas then rediscovered them.
Across seven songs and 33 minutes in length, this album is short, but very much on the sweet side; in fact, it's utterly sublime. Not only has none of the material been made available before, it's also of the very highest grade – easily surpassing 'Nina at Newport', the famous live album from the 1960 Newport festival. While that LP highlighted Simone's instrumental skills, this album's all about her singing, and how it intersects emotionally with her political engagement.
The Newport Jazz Festival had always brought the best out in Nina Simone. When she took to that famous stage on July 2, 1966, the audience was treated to the full range of her artistry - from the opener, a breathtaking version of “You’ve Got To Learn” to an electrifying performance of her signature protest anthem “Mississippi Goddam”. Unwilling to let her leave the stage, and after sustained applause, her fans were rewarded with the show-stopping encore, “Music For Lovers”. This previously-unknown and unreleased recording showcasing Nina’s exceptional performance makes it clear why hearing Nina Simone in concert was one cool experience.
While it’s hard to feel like we’ve discovered a new fold, wrinkle, or tear in Nina Simone’s richly cataloged life and music. But 'You’ve Got to Learn' is a hearty document of how music can motivate a political moment. The most crucial of these songs reverberate throughout history, particularly today as history coils in on itself, repeating the same cruel pattern. Nina’s music and voice still have the ability to deliver us toward human decency.
The freeload is a 24-bit/192 kHz vinyl rip.
For the freeload, tells us about your favorite recordings that sat unreleased for years.
While it’s hard to feel like we’ve discovered a new fold, wrinkle, or tear in Nina Simone’s richly cataloged life and music. But 'You’ve Got to Learn' is a hearty document of how music can motivate a political moment. The most crucial of these songs reverberate throughout history, particularly today as history coils in on itself, repeating the same cruel pattern. Nina’s music and voice still have the ability to deliver us toward human decency.
The freeload is a 24-bit/192 kHz vinyl rip.
For the freeload, tells us about your favorite recordings that sat unreleased for years.


Thelonius Monk - Palo Alto High School recording, found 50 years later. Very nice. Roxy, The Movie - Frank Zappa/Mothers, it took very many years to be finally able to synch the audio with the video. Always loved the album, now it's nice to be able to see Ruth Underwood perform. I believe that she is one of the finest musicians to ever make music with Frank Zappa. She is a joy to listen to. Thanks Babs
ReplyDeleteEarl King (locals would pronounce his first name like "oil"), and his lp Street Parade. Produced by Allen Toussaint, and featuring The Meters as a backup band, it contains the title song, which ultimately became a Mardi Gras anthem. Record sat in a vault for almost 20 years due to record company bankruptcies, heirship fights and lawd know what else. Holds up extremely well even today.
ReplyDeleteAlready have this and recommend it rather more highly than the one woman play about Nina I saw this week (a franchise called Black is the Color of My Voice, probably aimed at casual fans). The best live stuff that remained unreleased for years generally circulated in bootleg form, like Dylan in Manchester 66 and Little Feat's Electric Lycanthrop. Miles Live at the Cellar Door is a terrific 6 cd Davis set from 1970 which only saw an official release in 2005. I expect the official release is better than the bootleg, but that still sounds good enough to me.
ReplyDeleteZappa's Hot Rats Sessions and the Roxy movie. Gotta agree with mumbles about Ruth, but I don't watch the movie very often. Another "lost" gem was the Stones' Rock & Roll Circus that sat in the can for many years til the DVD came out.
ReplyDeleteTwo items come immediately to mind, thanks to someone keeping the tapes and the delights of the CD age (which may or may not be over): The Butterfield Blues Band Live (1970) and John Coltrane Live In Seattle (1965). Both doubled the playing time of the original LP releases without any dead spots. On the Zappa front, I was reasonably pleased with last year's Live at The Whisky a Go Go 1968 release, the best band ever! I had always been aware of Ms. Simone, but it wasn't until one night I was watching some movie when on the car radio therein appeared her excruciatingly beautiful version of Who Knows Where The Time Goes. It was time for a deep dive!!
ReplyDeleteTerry Dolan's sole and self-titled album
ReplyDeleteOtis Rush's album Right Place, Wrong Time was recorded by Capitol in San Francisco with a crack backup band, Nick Gravenites producing, and a very solid set of songs. Capitol got cold feet and the record languished on the shelf for five years until Rush acquired the rights and then sold them to the tiny Bullfrog Records label, owned by a couple of rabid fans who finally put out the LP. The record's on par with Rush's best work on Cobra, and he expands his repertoire to include a super tasty rendition of "Rainy Night in Georgia".
ReplyDeleteThe Rolling Stones Rock 'n Roll Circus
ReplyDeleteThe Who Fillmore '68 live album - it was released 50 years after being recorded (although there were bootlegs probably from an acetate) and is the only pre-Tommy live concert in great quality.
ReplyDeleteMiles Davis: The Cellar Door Sessions
ReplyDeleteLink
ReplyDeletehttps://workupload.com/file/XmcDDKDKtY7
thanks, Babs. Great show. I love the rootsy quality of this period. Her superb piano playing doesn't get enough credit.
ReplyDeleteThanks Babs -- love Nina Simone!!
ReplyDelete