“When I die they’ll say, ‘He couldn’t play shit, but he sure made it sound good!” — Hound Dog Taylor
Hound Dog Taylor was all about making the blues screech: $50 Japanese guitars with a wicked slide, cheap amps from Sears, an extra guitarist, a raucous drummer, and no bass. It sounds like a recipe for an earache, and to certain tastes, that might be true. But if you like the blues served so raw it’s still bleeding, here’s something you should own.
Hound Dog was heavily influenced by the powerful slide guitar playing of Elmore James, but Hound Dog upped the ante and played his own ragged boogie versions. He played loud, fast, and often very sloppy, Brewer Philips played a distorted "bass" on a 6-string guitar as well as rhythm guitar, (some guitar solos, too) and Ted Harvey provided an often manic backbeat. Together, they kicked out the jams in an unconventional, minimalist way.
Hound Dog Taylor's debut album was the debut album for Alligator Records in 1971. The label was started by his manager and producer Bruce Iglauer as a vehicle to get Hound Dog's sound out to a wider audience. So before I talk about Hound Dog's work here, equal kudos to Bruce Iglauer for helping the Dog's music get recorded and released in the first place.
From the first chords, Hound Dog's distinctive six-fingered (he was born with 6 fingers on each hand) slide guitar work pierces with a raw, electrifying tone that commands attention. His ability to weave gritty riffs and solos into a cohesive musical narrative testifies to his considerable talent.
What sets the album apart is its intentional lack of finesse. Instead of polished production, the album relies on the sheer power and authenticity of its performances. This is the blues in its purest form, stripped of unnecessary frills and ornamentation, pulsating with the raw, earthy energy of its roots.
The band's interplay is another highlight of the album. Hound Dog and his band demonstrate a remarkable musical unity, their instruments coming together in a harmonic exchange with rhythmic precision. This synergy, paired with their individual talents, makes for an intense listening experience that transports us to the heart of a bustling Chicago blues club.
"Hound Dog Taylor And The House Rockers" is a must-listen for any blues fan. It showcases Hound Dog Taylor, one of the genre's most recognizable talents, in full swing, effortlessly combining his musicianship with an unwavering enthusiasm for performance. This album is a testament to the raw, pulsating spirit of Chicago's blues scene during the 1970s.
For the freeload, tell us about ragged and raw music you like.



Stooges come first and foremost to mind. Also the much maligned (in some corners) Velvet Underground in their choogle mode. Red Cross - Born Innocent is an all-time MrDave Fave that's as raw & ragged as it comes. Uncle Neil gets pretty sloppy too (in a good way)! I've had this for a long time but you're reminding me it needs to be listened to more often!
ReplyDeleteAlmost forgot The Replacements! (Live especially)
Delete-MrDave from his bicycle
And The Faces!
Delete-MrDave, still on his bicycle
Kicking out the jams, eh. I think it was Johnny Griffin who invented that term. He coined JAMFs. Jive Ass MotherFuckers.
ReplyDeleteCosmic Travelers - Live! At the Spring Crater Celebration Diamond Head, Oahu, Hawaii
ReplyDeleteKindly regards, Mike
Live, Marley could get very ragged on occasion (at least the times I saw him), as did The Faces and Humble Pie (my ears still bleed from that concert). Sly Stone, if he even bothered to show, was also a ragged genius.
ReplyDeleteWhen it comes to ragged glory, Neil Young accompanied by Crazy Horse certainly fills the bill. In blues Elmore James, Buddy Guy in his prime, John Lee Hooker, Blind Willie Johnson, Howlin' Wolf. and Charley Patton all spring to mind. In jazz, some of the rawer honkers I dig include Arnett Cobb and Roland Kirk. Then of course, there's Lady Day who, especially in her final years, embodied an emotional rawness that was frightening.
ReplyDeleteEvery year or so, I go back thru the Chris Whitley discography. Some of which is raw, some ragged, some both or neither... Early 50s Muddy Waters (e.g. Still A Fool) fits the bill, the Horse was mentioned above and still spooks me. Elmore was pretty raw as well! Lightnin' Hopkins was ragged, right?
ReplyDeleteStay tuned, Bombshelter Slim, there's some rare Chris Whitley forthcoming. I knew Chris during his Washington Square days. He slept many a night on the couch, here in the button factory.
DeleteThanks, Babs!
DeleteI see the Faces got several mentions. Back in '73 I saw the faces here in Manhattan. They came on stage inebriated, and in between songs they got even more "shit-faced". Ron Wood never bothered to tune his guitar, which by the third number was way out of tune. At one point, Ronnie Lane nearly fell off his platform shoes. And yet, it didn't really matter, because they made up for it in enthusiasm. They were having a good time, we were having a good time. It was a truly memorable show.
ReplyDeleteProbably the same tour that I saw Faces. It was in NO, so yeah, they were shit faced.
DeleteGood boys... when they're asleep
DeleteLOL! Yeah, but its amazing that when Wood joined the Stones, he immediately became labeled as the sober, level headed one.
DeleteRelatively speaking.
DeleteThen there's the MC5, The Stooges, R. L. Burnside, Junior Kimbrough, John Lee Hooker, most Punk, and Jessie Mae Hemphill.
ReplyDeleteVU - Sister Ray
ReplyDeleteZappa - King Kong
Primal Dead circa 1967-68
Oh and that girl from Texas, Janis somebody...
Jerry McCain – Choo Choo Rock - Excello demos from 1955
ReplyDeleteAny and all of:
Hasil Adkins
Charlie Feathers
Link Wray
Gene Vincent
Early (pre Space Ritual) Hawkwind!! .. never sure who'd appear on stage!!
ReplyDeleteNeil Young - Tonight's The Night + many others previously accounted for, above. Thanks Babs
ReplyDeleteLink
ReplyDeletehttps://workupload.com/file/yHj2HRNzV5D
I had never heard this before. Wow! Really fantastic, primal, toe tapping great music. Thanks so much for the musical enlightenment. Very tasty stuff!
DeleteBTW - completely unrelated - I saw a YouTube video today from 1976 called Oscar Peterson's Piano Party with Keith Emerson. Emerson was good but Oscar was incredible. I have several Peterson albums - but my question is - are you a fan of Peterson and do you have a favorite album of his?
Enjoy Hound Dog, Thames!
DeleteI love Oscar! A few personal favorites are:
'On the Town'
Oscar Peterson Trio + One
(The + One is trumpeter Clark Terry)
The Oscar Peterson Trio at Zardi's
Oscar really never made a bad album.
My only "complaint" about Keith Emerson is that he always sounds like he's rushing.
he always sounds like he's rushing... So many notes, so little time...
Delete-notBob
Son House & Charley Patton. Need I say more?
ReplyDeleteA little surprised that I get to be the first to mention Howlin' Wolf. I agree that Fifties Muddy Waters is raw and right, and Wolf even more so.
ReplyDeletePrimal Grateful Dead, absolutely - thank you, August West.
D in California
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ReplyDeleteT-Model Ford
ReplyDeletehttps://youtu.be/DshT6vnfVRs?si=aVupOU9lL6gkXOH9
Cub Koda did some nice raw stuff after Brownsville Station broke up--a LOT of it with The Houserockers backing him!
ReplyDeleteI've always thought, Cub should have received more recognition and fame, than he received.
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