Herbie Hancock is a true icon of modern music. Throughout his explorations, he has transcended limitations and genres while maintaining his unmistakable voice.
There are few artists in the music industry who have had
more influence on acoustic and electronic jazz and R&B than Herbie
Hancock.
As Miles Davis said in his autobiography:
"Herbie was the step after Bud Powell and Thelonious Monk, and I haven’t heard anybody yet who has come after him.”
'My Point of View' is Herbie Hancock’s second album for the Blue Note label, and features all original compositions. This session from 1963 has an all-star
cast: Donald Byrd on trumpet, Hank Mobley on tenor saxophone, Grachan Moncur III on trombone, Grant Green on guitar, Chuck Israels on bass, and Tony Williams on drums, who was just 17 at the time of this recording.
The sheer musicality of My Point of View is breathtaking, showcasing Hancock’s arranging prowess. While "Blind Man, Blind Man Takes" draws inspiration from Hancock’s previous hit "Watermelon Man", this session also features several of Herbie's essential compositions, including "King Cobra", "A Tribute To Someone" and the bluesy “And What If I Don’t.”
'Speak Like A Child' from 1968 showcases several aspects of Hancock’s artistry: as a
pianist, a composer, and an arranger.
This session finds Herbie expanding his tonal palette by adding the unique coloring of Thad Jones on flugelhorn, Peter Phillips on bass trombone, and Jerry Dodgion on alto flute to his trio with bassist Ron Carter and drummer Mickey Roker. However, Herbie is spotlighted as the main soloist on this six-song set.
Herbie's original compositions, are the alluring title track, the churning "Riot", the sorrowful "Goodbye to Childhood" and the mysterious closer “The Sorcerer,” a dedication to Miles Davis which had been recorded by the Miles' quintet the year prior. On Carter’s spry and cheerful "First Trip" the trio goes it alone, delivering a wonderfully agile and swinging performance.
'My Point of View' and 'Speak Like A Child' Blue Note Japan, in the UHQCD format, from masterings that Kevin Gray did for the Tone Poet and BN Classic LP releases. And they both sound sweet! If you freeloaded the previously posted 'Blue Note 85 Reissues', you know what I'm talking about.




Our egoes.
ReplyDeleteI know you are, but what am I?
ReplyDeleteNo I didn't! You're not the boss of me!
I could go on & on, but I think you get the picture.
That said, I love Herbie Hancock, I've always loved Herbie Hancock & I think that he is certainly a jazz giant. AND I thank you for having a Herbie Freeload.
That said, he's the best! Is too! Wanna bet? AND, of course, speaking of the best...Babs, takes one to know one. Thanks Babs
Yeah.....so's your old man.
Deletecoloring books
ReplyDeletehttps://pixeldrain.com/u/2mc5jDdH
plus
the lore and language of schoolchildren -- iona and peter opie -- 1959
https://pixeldrain.com/u/VZajhrp5
I first read the Opie book aged 17, just old enough to understand & young enough to remember. Brilliant book.
Deleteserendipity corner - On BBC Sounds go to Radio 3, at 19.45 this (Sunday) evening half an hour of Iona Opie interviewing schoolchildren about 60 years ago.
DeleteDone by the folx of Georgia Hubley (Yo Lo Tengo): https://www.youtube.com/watch?v=4O8VE4qB8-s
ReplyDeleteIn the first moment my idea was to publish the picture of a very wellknown yellow-haired man. But this is not childish, it is ugly.
ReplyDeleteI had the very same idea, and didn't for the very same reason.
DeleteI do not like Green Eggs and Ham. I do not like them, Sam I am.
ReplyDeleteWill be seeing Herbie in mid July in Madrid.
https://archive.org/details/lp_building-balanced-children_w-cleon-skousen
ReplyDeleteI don't wanna open the link, and you can't make me! You're not the boss of me.
DeleteYes Babs, this is dangerous stuff, here is a discogs link for those who want to tip a toe in first
Deletehttps://www.discogs.com/release/8165849-W-Cleon-Skousen-Building-Balanced-Children
Nah nah nah nah naah naah!
ReplyDeleteI heard somewhere once that the expression above is global, kids everywhere do it, all around the world. If true, it's probably one of a few things understood everywhere. It may be is other syllables in other locations I'm guessing.
DeleteAnd it might be a load hokum that I'm passing along, unverified. Sorry if that's the case, but cool if it's true. Thanks Babs & Dr Robert
In Brooklyn, in the 1950s, we used to say
Delete"Na-nan-a boo-boo".
I'm rubber, you're glue, whatever you say bounces off me and sticks to you!
ReplyDeleteYou stole that from Musk & Trump yesterday!
DeleteHad to share this, I'm Canadian...and it's a great record!
ReplyDeleteThe Langley Schools Music Project - Innocence & Despair
http://www.bar-none.com/langley-school
The 19 tracks on THE LANGLEY SCHOOLS MUSIC PROJECT document a 60-voice chorus of rural Canadian school children, aged 9-12...
This comment has been removed by the author.
ReplyDeletepull my finger
ReplyDeleteLink
ReplyDeletehttps://workupload.com/file/dSCYQKpEn4C
'Mommy I got a booboo'!!!!!!!!!!!!!!!!!!!!!!!!!!!
ReplyDeleteBrian
https://www.youtube.com/watch?v=VVvYq5MgdzI
ReplyDeleteHarold's purple crayon lives!
ReplyDeleteStrassaboh
ReplyDeletehttps://www.youtube.com/watch?v=YBumE2z_Tps
(Wolle tries to catch the last tram)