There was a time when a person could get a job, and stay with the same company for the 30 or 40 years without so much as a care. The same held true for many musicians who happened to be in the Duke Ellington band.
For Johnny Hodges, the Ellington band provided the alto sax legend’s bread and butter for much of his life. First, there were the 22 years that he spent with Duke from 1928 to 1950, followed by five years out on his own and then a second stay with Ellington from 1955 to Johnny's death in 1970.
Johnny was, without doubt, Duke Ellington’s most prominent soloist, and his far-reaching influence cannot be overstated.
'The Complete Verve Johnny Hodges Small Group Sessions 1956-1961' is a 6CD set that was released in 2001 on the Mosaic Records label, and is a limited edition of just 7,500 copies. The set has 95 performances, including 30 previously unissued tracks.
On these recordings, Johnny's soulful, lyrical style is best displayed in the ballads and blues features, though his originals definitely deserve attention, too. He clearly takes his share of solos, but he generously features his guests and associates from Duke's band. The sidemen on these recordings are prominent musicians from the era, including: Roy Eldridge, Herb Ellis, Ben Webster, Jimmy Forrest, Les Spann, Clark Terry, Ray Nance, Shorty Baker, Ray Brown, Billy Strayhorn, Harry Carney, Jimmy Hamilton, Jo Jones and Mel Lewis, plus many more.
This set has outstanding sonics with a wide soundstage, that are up to Mosaic's usual fine standards, and serve Johnny's signature sound (the key to his style) well.
For the freeload, what's your favorite solo album or side project from an artist known mainly as a core member of a band?


I've always been fond of Charlie Watts' jazz albums. Some great players!
ReplyDeleteSeconded enthusiastically, thanks Bombshelter Slim & Babs
DeleteI saw Charlie Watts' Big Band, here in New York, around '86/'87. What was interesting was, seeing free jazz/improvised music legend, Evan Parker playing off a big band chart.
DeleteBabs, did he solo as well?
DeleteCharlie didn't solo per se, in the way Art Blakey, Max Roach, Elvin Jones, Buddy Rich et al. would have. He just took several short (just a couple of bars) solos.
DeleteSorry, I should have said did Evan solo? Charlie only ever traded fours on occasion.
DeleteEvan took several solos on alto sax, and kept it on plant earth. It was interesting to hear him play "In", rather than "Out".
DeleteEvan will be the subject of a forthcoming post.
Duane Allman played with very many folks. Always enjoyable. Layla & Other Assorted Love Songs comes to mind. Thanks Babs
ReplyDeleteI have a Duane post in the "pipeline".
DeleteBobby Dylan did some pretty good stuff aside from his band the Travelling Wilburys.
ReplyDeleteSeriously, one of my favorite albums of all-time is Plastic Ono Band (the JL one, of course, not the YO one), so that'd get the nod.
C in California
John Lennon/Plastic Ono Band is such a powerful record.
DeletePete Townshend's solo albums particularly in the late 70's/80's always seemed more interesting than concurrent Who albums - obviously saving the best for himself and his writing didn't seem to fit the group anymore.
ReplyDeleteI'm going to turn it around a bit and talk about a band that was possibly more influential musically without its lead singer than it was with him and who probably inspired a generation of guitarists; that band being the Shadows....
ReplyDeleteMy favourite album would be any of the official 'hits' albums and particularly the 5CD Complete Collection of their EMI Columbia recordings. How many 'side projects', as the Shadows would end up charting over 6 decades?
Another that comes to mind was Rod Stewart's recordings with Python Lee Jackson, 'In a Broken Dream' in particular.
C in California beat me to that Dylan/Wilburys joke.
ReplyDeleteThere are so many, but I'll mention:
David Crosby If I Could Only Remember My Name
and
Ron Elliot The Candlestickmaker
Huge fan of Maceo Parker's work outside of his longstanding stint as a member of James Brown's band. Have also seen him perform live (mentioned in your JB post that I saw Fred Wesley about 9 mos ago). Maceo's Southern Exposure lp is amaing.
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Trumpeter/cornetist and guitarist Olu Dara was best known for his work in the New York loft scene before issuing a couple of uncategorizable records around the new millennia. His music is a brilliant amalgam of all sorts of threads: blues, jazz, folk and beyond, and yet he remains largely unknown. Around the same time I bought Dara's CDs, I picked up the Mosaic Hodges set, and according to my Swinian music
ReplyDeleteapp, it's among my most frequently played recordings. Hodges has an unmatched approach to ballardry and the tone to back it up. Another sweet pick, Babs.
Dennis Wilson's Pacific Ocean Blue
ReplyDeleteGood pick!
DeleteEvan Lurie "Selling Water by the Side of the River"
ReplyDeleteWell, kinda picked it here! Johnny's playing on
ReplyDeleteDuke Ellington's Isfahan on his Far East Suite. His playing enriched any band's songs. Can you please repost... at a minimum the hard to find booklet (all the unreleased stuff.. I need details).