Ma Rainey has been called "The Mother Of The Blues", and rightfully so. She reportedly was singing the blues as early as 1902. Born as Gertrude Malissa Nix Bridgett in 1886, she was married to Will Rainey in 1904. They were known for a time as "Rainey and Rainey: Assassinators of the Blues". Will Rainey was long gone by the time Ma Rainey made her first recording in 1923. Between 1923 and, 1928 she recorded 94 songs plus 28 alternate takes.
Ma Rainey was a powerful singer who stuck to blues and near-blues throughout her career, with just a few exceptions. While not as versatile as Bessie Smith, there is a good amount of variety on these performances, both in Rainey’s interpretations of the material and her accompanying bands.
Heard along the way are such notables as Lovie Austin’s Blues Serenaders (with excellent playing from cornetist Tommy Ladnier and clarinetist Jimmy O’Bryant), three groups drawn from the Fletcher Henderson Orchestra (with Louis Armstrong appearing on the session that result in Rainey’s greatest hit “See See Rider” and Coleman Hawkins featured on baritone), trombonist Albert Wynn, Doc Cheatham (on soprano sax rather than trumpet), pianists Jimmy Blythe and Georgia Tom Dorsey, guitarists Blind Blake and Tampa Red, trombonist Kid Ory, and banjoist Papa Charlie Jackson who also sings during the final two songs that Ma Rainey recorded.
Family problems resulted in her largely retiring after 1928 and missing being part of the hokum fad with Georgia Tom Dorsey and Tampa Red. By the early 1930s, female blues singing became less popular with blues audiences, and she retired from performing in 1933, settling down in her hometown of Columbus.
In 1939, Ma Rainey died of a heart attack. She left behind an enormous recorded legacy, which continued to move and influence successive generations of blues, country, and rock & roll musicians. In 1983, she was inducted into the Blues Foundation's Hall of Fame; seven years later, she was inducted into the Rock & Roll Hall of Fame.
Today's freeload 'Mother Of The Blues' is a 5CD set released by the JSP label in 2007. Ma Rainey recorded exclusively for Paramount, a label infamous for its awful recording, and poor quality shellac records, which sounded distant and noisy. JSP's remastered versions are listenable, and all things considered pretty good for the era. This box, clocking in at over 5 1/2 hours, has just about everything Ma Rainey left us
For the freeload, what are some of your favorite lyrics that are double entendres.
Family problems resulted in her largely retiring after 1928 and missing being part of the hokum fad with Georgia Tom Dorsey and Tampa Red. By the early 1930s, female blues singing became less popular with blues audiences, and she retired from performing in 1933, settling down in her hometown of Columbus.
In 1939, Ma Rainey died of a heart attack. She left behind an enormous recorded legacy, which continued to move and influence successive generations of blues, country, and rock & roll musicians. In 1983, she was inducted into the Blues Foundation's Hall of Fame; seven years later, she was inducted into the Rock & Roll Hall of Fame.
Today's freeload 'Mother Of The Blues' is a 5CD set released by the JSP label in 2007. Ma Rainey recorded exclusively for Paramount, a label infamous for its awful recording, and poor quality shellac records, which sounded distant and noisy. JSP's remastered versions are listenable, and all things considered pretty good for the era. This box, clocking in at over 5 1/2 hours, has just about everything Ma Rainey left us
For the freeload, what are some of your favorite lyrics that are double entendres.





Say, hand me the key that unlocks my front door
ReplyDeleteBecause that bell don't read Sam Jones no more, no
You ain't talkin' to Mrs. Jones
You speakin' to Miss Wilson now
Sam Jones Blues - Bessie Smith (although I first heard it from George Melly)
The Mighty Sparrow's "A Slight Mistake" is a favourite of mine. Slightly less ribald than "Wife and Boat" and others. This is 2024, as someone pointed out recently.
ReplyDeleteRoosevelt Sykes - "If You See Kay"
ReplyDeleteDude, it's 2024.
DeleteRoosevelt died in 1983, so...
DeleteHair Pie.
ReplyDelete(Fun fact: when I bought Trout Mask Replica I had no idea that hair pie meant anything other than a pie with hair in it - a typical Beefheart poetic invention.)
So, Farq, did or do you prefer Bake 1 or Bake 2?
DeleteLove the feral skronk that introduces Bake 1, and the doubling-down double entendre [Fr. "wait twice" Ed.] of "bush recording" which AMAZINGLY I hadn't picked up on until just now.
DeleteListening to Bake 2 as we speak, and I'm struck again by the aromatic oven-freshness of the music. Delicious! Fast and BUUULbousss!
Anything by Bo Carter. "Warm my weiner" being an especial favorite.
ReplyDeleteHey Hey We're the Monkees
ReplyDeletePeople say we Monkey around.
Get you're biscuits in the oven
ReplyDeleteAnd your buns into bed.
Kinky Friedman
https://genius.com/Kinky-friedman-get-your-biscuits-in-the-oven-and-your-buns-in-the-bed-lyrics
DeleteDr. John Right Place, Wrong Time
ReplyDeleteJust need a little brain salad surgery
I got to que my insecurity
pmac, you're from NO, no? So you'll know - is brain salad surgery something to do with oral sex?
Deleteits exactly that.
DeleteI wonder if the uber-humorless Keith Emerson knew that when he appropriated the lyric? Here'e a deeply meaningful analysis from an internet close to you:
DeleteListening to “Brain Salad Surgery” while working, playing a game, or even watching a football match, takes me on a journey of introspection and contemplation [WTF???- Ed.]. The lyrics, masterfully written by Peter Sinfield, Greg Lake, and Keith Emerson, evoke vivid imagery and convey a profound message.
Unleashing the Dark Side of the Mind
The opening lines of the song – “Brain Salad Surgery, it will murder you, it murdered me, we made it for our enemy” – immediately set a dark and mysterious tone. It addresses the idea that the mind itself can be both a perpetrator and victim of its own destructive thoughts and actions. This notion speaks to the human experience of grappling with the darker aspects of our consciousness.
Throughout the song, the repetition of the phrase “Brain Salad Surgery” emphasizes the transformative and cathartic nature of the process. It can be interpreted as a metaphorical operation on the psyche, a psychological surgery that exposes and confronts the deepest corners of our minds.
Exploring the Struggle for Sanity
The chorus of the song – “We’ve got a ballad about a salad brain, with assurgence in a dirty bit again” – presents a paradoxical image. A “salad brain” suggests a chaotic mixture of thoughts and emotions, while “assurgence” emphasizes the forceful and persistent nature of this mental state. It reflects the struggles we face in maintaining our sanity in a world filled with noise and confusion.
...
It was a weird appropriation of the phrase by ELP. From what I recall, brain salad surgery was originally derived from the phrase "whip some skull on me" which also meant oral sex. Supposedly, Emerson did acknowledge that he knew what the phrase meant when he wrote the song.
DeleteSupposedly in an interview, Emerson said he knew what it meant. Its a derivative of the phrase whip some skull on me. Supposedly on the titled ELP album cover, there's a ghost image of a penis on the woman's neck.
DeleteThis comment has been removed by the author.
ReplyDeleteI guess Lucille Bogan's version of Shave 'Em Dry hardly counts as double entendre
ReplyDeleteDoes this count? A verse from Billericay Dickie by Ian Dury and The Blockheads
ReplyDeleteHad a love affair with Nina
In the back of my Cortina
A seasoned-up hyena
Could not have been more obscener
She took me to the cleaners
And other misdemeanours
But I got right up between her
Rum and her Ribena
Have always loved this & I prefer the live version by Esther Phillips. Long John Blues
ReplyDeleteI've got a dentist who's over seven feet tall
Yes, I've got a dentist who's over seven feet tall
Long John they call him, and he answers every call
Well, I went to Long John's office and told him the pain was killin'
Yes, I went to Long John's office and told him the pain was killin'
He told me not to worry, that my cavity just needed fillin'
He said "When I start drillin', I'll have to give you novocaine"
"Yes, when I start drillin', I'll have to give you novocaine
'Cause every woman just can't stand the pain"
He took out his trusty drill
And he told me to open wide
He said he wouldn't hurt me
But he'd fill my hole inside
Long John, Long John, you've got that golden touch
You thrill me when you drill me, and I need you very much
When he got through, he said, "Baby, that will cost you ten"
Yes, when he got through, he said, "That will cost you ten
Six months from now, come back and see me again"
Say you're supposed to see your dentist
'Bout twice a year, that's right
But I think I feel it throbbin'
Yes, I'll go back there tonight
Long John, Long John, don't ever move away
Say I hope I keep on achin' so I can see you every day
Thanks Babs
I am not a qualified physician
ReplyDeleteAnd I don't want to give this injection...
A calypso, not a blues,
Dr Kitch
"Let Me Play with Your Poodle" may not be the most lascivious of lines, but Lightnin' Hopkins' delivery makes it so.
ReplyDeleteOf course, he meant your poodle dog...
DeleteSurprised and disappointed (my permanent state of mind) that nobody's mentioned Zappa yet. His "crux of the biscuit" and the apostrophe (') are prime examples of the art. Jelly Roll Gumdrop, indeed.
DeleteAnd one more, a fave couplet from the estimable Bessie Smith:
ReplyDeleteYou can look at my book book
But I'll never let you feel my purse
Penicillin Blues (Sonny Terry & Brownie McGhee)
ReplyDeleteMy favourite version is the one by Alex Harvey, but I could only find the lyrics of the Maggie Bell (Stone The Crows)version:
I've got bad blood baby, looks like I need a shot
I've got bad blood baby, looks like I need a shot
I'm gonna turn round baby, let you see just what I got.
I want you to be my doctor, Gonna throw my legs up against the wall
I want you to be my doctor, Gonna throw my legs up against the wall
Promise not to scream or wriggle,
I want you to let me have it all night long
Whow
You've got your needle in me baby, and it looks and it feels alright
You've got your needle in me baby, and it looks and it feels alright
Don't want you to lose none of that
Penicillin I want you to let me have it all
Let me have all that penicillin.
You're ways are so lovin, and your skin is so soft, soft next to mine
You're ways are so lovin, and your skin is so soft, next to mine
I've been all around the world makin
Honey, come on and mix it with mine.
Come on honey bee
I said a wha, ha ohh, a wha, ha ohh
You're soo good lookin as any man should be
I said a wha, ha ohh, a wha, ha ohh
You're soo good lookin as any man should be
I'll make love to you for the rest of my life
Link
ReplyDeletehttps://workupload.com/file/3txzGXNDpXU
You got bad blood mama, I can see you need a shot
ReplyDeleteWhy don't you climb up on this table, let the doctor see what else you got
Those nasty Beatles with Why Don't We Do It In The Road, which some mistakenly thought was a sex song, when clearly it was the third part of a Beatles trilogy on highway safety, the first song being A Day In The Life ("he blew his mind out in a car/ he didn't notice that the light had changed") and the song immediately preceding Why...Road on side 2 of the White Album, "Don't Pass Me By" ("you were in a car crash"). The Beatles, being nice fellows but ever mindful of the perception that they were 'the nice ones' and the Stones 'the dirty ones', called for making the road improvements in the middle of the night ("no one will be watching us") so as to make the roads safer, but not call attention to them being the advocates of such a "nice" thing as road safety. Everyone got thrown off by the car crash lyrics and built up some loony idea that those and others were clues to Paul's death in Beatles songs, along with album covers. Conspiracy nuts!
ReplyDeleteC in California