Big Bill Broonzy was a legendary American blues musician who left an indelible mark on upon the blues. With his unique guitar playing style, powerful vocals, and dynamic stage presence, Bill became one of the most influential figures in the development of blues music. Born in Mississippi in 1893, he navigated the ups and downs of a career that spanned several decades and witnessed the evolution of the blues from its rural roots to mainstream popularity.
In 1985, Big Bill Broonzy was posthumously awarded the Grammy Lifetime Achievement Award for his significant contributions to the field of music.
CD1 - 'The Essential Blue Archive, Vol. 1: the Pre War Years'
This is by no means the complete pre-war work of the great bluesman, but offers a fine overview with 20 cuts covering the period before World War II, and offers a chance to see just how important and influential Broonzy really was. With "I Can't Be Satisfied" and "Saturday Night Rub" he was a seminal figure, but one whose range ran to more popular material, too, like "I Feel So Good." You might think Charley Patton and Robert Johnson were the heart of the blues, but based on the evidence here, Big Bill Broonzy can stake a very good claim.
CD2 - The Essential Blue Archive, Vol. 2: the Post War Years'
These 20 cuts from the 1940s and '50s offer a strong overview of the man who worked longer in blues than most of his contemporaries. He never lost his quality, even well into his career; just listen to "Five Feet Seven" and you'll understand how good he remained. Bill's blues foreshadowed the advent of rock "Just Rocking" and a couple of other pieces make it apparent that Bill was one of the fathers of the then new genre. Although he's thought of as a guitarist and singer, other instruments did appear on Big Bill's recordings, especially these later ones, such as "Where the Blues Began," which is piano-heavy, but works perfectly well. By this time, Bill was almost an elder statesman for the first generation of Delta blues players, and an international ambassador. From this collection, it's easy to understand how central he was to the music.
For the freeload, tell us what you've recently been listening to?



Catching up on post-Sidewinders/Sand Rubies Rich Hopkins, whose searingly hot guitar work feels appropriate to my environs circa 10 miles from the coast; and dozens of 'Bloodstains Across' and 'Killed By Death' comps I recently downloaded. Like early ska/bluebeat, early punk/wave didn't yet have a template to follow, so its wild-west see-what-sticks-to-the-wall ethos made for some great music.
ReplyDeleteC in California
Today, it's been Canned Heat, thanks Babs. Also Timo Lassy & Jukka Eskola - Nordic Stew; Michael Wollny & Vincent Pierani - Tandem; Mats Oberg - Frankful; some Janelle Monae, some Mink DeVille & some Los Lobos too. Thanks Babs
ReplyDeleteJohn Primer & Bob Corritore, Art Blakey, Kim Gordon, Niney the Observer and Sturgill Simpson (or whatever he calls himself now)
ReplyDeleteDexter Gordon - 'Dexter Calling'
ReplyDeleteGrateful Dead - Rosemont Horizon - Chicago, April 15th, 1988 (bootleg)
Joni Mitchell - 'Don Juan's Reckless Daughter'
Lou Donaldson - 'Blues Walk'
Crusaders - 'Chain Reaction'
Patricia Barber - 'Café Blue'
Bach Goldberg Variations
ReplyDeleteGershwin Complete Piano Music
The Kinks Something Else
Jefferson Airplane Crown Of Creation
The Doors Waiting For The Sun
Bill Evans Trio Explorations
Charles Lloyd Forest Flower (natch, and thanx!)
Steely Dan Aja
That'll do for now...
Al Green - Green Gets Next to You
ReplyDeleteFloating Bridge - s/t
Mourning [A] BLKstar - Ancient/Future
Dactyl Terra - Fee Fi Fo Fum
The Stars - Will
Buttplug Lagoon - s/t
Plant Tribe - Late Noon
Chicago Climax Blues Band - A Lot of Bottle
I've heard of Creeper Lagoon, but not Buttplug Lagoon...
DeleteWell done anal explorations in sound.
DeleteNew lp by Jonathan Powell, Mambo jazz Party. Really good, big band, latin jazz outing. Also, the new one fron Esperanda Spaulding and Milton Nascimento (but, have also been listening to one of his older ones, Geraes, which I managed to get on vinyl). Lastly, my buddy in NO just released a new one - trombonist Charlie Halloran and his group, the Tropicales, with their lp, Jump Up (Has Cyrille Aimee on vovals on a song).
ReplyDeleteDomenico Scarlatti - Keyboard Sonatas (Vladimir Horowitz)
ReplyDeleteKak - Kak Ola
The Supremes - The Best of the Rest (compilation by Easily Confused)
Gbrand
Steve Earle - Alone Again
ReplyDeleteLester Young - Lester Leaps Again
Amos Lee - Transmissions
Esperanda Spaulding and Milton Nascimento
Beau Brummels - Bradley's Barn
Eric Johanson - The Deep and the Dirty
Sahib Shihab - Sentiments
ReplyDeleteEric Dolphy with Booker Little - Far Cry
Richard & Linda Thompson - Shoot Out the Lights
Debashish Bhattacharya - Beyond the Ragasphere
Link
ReplyDeletehttps://workupload.com/file/nuCAhYsPfH8
Listening to new albums by Common and Rakim. The hip hop producer 9th Wonder recently suggested a new Grammy award category for "adult contemporary" hip-hop. It's an interesting idea for a genre that is now five decades old. Should a 50-something rapper have to compete for the same prize as the latest teen sensation? The stereotype of the drug dealing rapper bragging about money, guns and hoes does not apply to what Common and Rakim are doing now.
ReplyDeleteBreak dancing is now an Olympic event.
DeleteAnother part of hip hop culture! -- and Snoop Dogg seemed to be everywhere during these Olympics.
DeleteWatched / Listened to the Purple Chick Buddy Holly TV Appearances, a surreal compilation of heavy metal Abba covers out of curiosity and found some translate better as metal songs than pop songs ("Money, money, money" comes to mind) and from their found myself listening to the even more surreal Dolly Parton Sings Rock and in particular her version of "Stairway To Heaven". Truly bizarre. Also a couple of obscure late 60's psych albums "Evironmental Evolution" by Ecology and "Free Up" by the Surprise Package
ReplyDeleteI had a wonderful experience, and it came from actually cleaning my room. I'll spare you the details, but there literally is a corner that hasn't had proper attention for ... several years? Well, at one time, I mysteriously lost my MP3 player. It turned out that it had fallen off the turntable on top of the receiver on top of the computer desk, and languished in that corner despite my searches for it.
ReplyDeleteSo, now I have two MP3 players (it also plays FLAC, AIFF, etc.; I'm just into brevity and not brand names). And I'm taking care of a friend's pool & spa while he's off at the Paris Olympics. So, sitting in his spa, I listened to my Liz Phair folder: excerpts from "Exile in Guyville," all of "Whitechocolatespaceegg" (1996) and all of "Liz Phair" (2003).
Let me tell you, I liked it.
D in California
I listen to such a wide variety of stuff every day that it's a bit hard for me to center on those few that are lucky enough to get frequent airplay on my stereo boxes, LOL. But here is a short list of those recent artists I have really LOVED!
ReplyDeleteDAWK YAWP, the musical concoction of Rob Keenan and Tyler Randall, where drones and toy pianos are likely to collide with heavy metal electronics and a well-placed melody.
LARAAJI - American multi-instrumentalist specializing in piano, zither and mbira. His albums include the 1980 release Ambient 3: Day of Radiance, produced by Brian Eno as part of his Ambient series.
MASTER MUSICIANS OF BUKKAKE a psychedelic group from Seattle. The group's name is a riff on Moroccan maestros Master Musicians Of Jajouka combined with a sexual practice. They are far fucking out!
more later. Doctor Art
Interesting choices, monte.
Deleteit was d
DeleteDawg Yawp, not dawk yawp, lol. I hate typos! i've also been loving Gone Gone Beyond.
Master Musicians of Bukkake are/were outstanding. Everything.
DeleteI'm preparing a new post for Jonder about the Dutch Metropole Orkest, so I've been listening quite a bit to their recordings.
ReplyDeleteQuestion. Did the UK have the same 3 minute rule as they did in the US? Where radio songs had to be under 3 minutes to get radio airplay? Just curious.
ReplyDeleteNo, they had the "needle time" rule whereby you could only play about an hour of records per day the rest had to be live or pre-recorded in a BBC studio.
DeleteMusicians Union rules.
It did mean you ended up, eventually, with a lot of "Live at the BBC" records, but it was a drag at the time.
Meant lots of US records never got played at all, which was good for local music publishers who got more royalties for local recordings.
Didn't change until August 1967.
I thought those BBC releases would be amazing when they were first announced. Of all the ones I bought, don't think I ever listened to them again.
Delete-notBob
Thanks for the response guys.
DeleteLink
ReplyDeletehttps://workupload.com/file/4GPvr5b8864